#paul-r-williams-design

#paul-r-williams-design

Carl Cokine Anthony redefined the relationship between racial equity, regionalism, and the environment, establishing a foundation for future environmental justice initiatives.

In the digital world that we're in, you know, negative videos are what goes viral. People are always knocking people down a peg and it's really easy to fall into that. If something bad happens-which, when you own your business, something bad happens every day- it's easy to circle in despair. But my challenge is to look for the positive and figure out how to pivot, and if something isn't working then figure out a different way to get it done.

A couple of years ago, really well-prepared Wright properties sold very quickly. There were historically low interest rates and a lot of liquidity, even in the luxury market. Now the tides are shifting, and a post-pandemic frenzy for Wright designs has softened.

The Walker Guest House, a 24-foot cube designed by Paul Rudolph in 1953, is now reassembled in West Hollywood and available for $2 million.

"It has been estimated that one million five hundred thousand houses each year for a period of 10 years will be needed to relieve the urgent housing problem of this country. The enormity of such a need cannot even be partially satisfied by building techniques as we have known and used them in the past."

Wright created a sculptural masterpiece, but he was pushing the boundaries of residential construction. He didn't put enough reinforcing steel in the cantilevers of the house over the waterfall, so as soon as they removed the formwork, the house started to sag. Wright was always assuring the Kaufmanns it was natural, but it was the house failing.

When complete in December 1999, the 22-story building will have floor-to-ceiling windows of silver blue-gray glass in place of its concrete facade and aggregate panels. The structure will feature an upturned metal canopy on the penthouse floor that will be visible from much of the Westside when the building is illuminated.

The Kappe House in Rustic Canyon, California has been listed for sale, bringing newly released photographs of its midcentury interiors into view. Designed in 1967 as the personal residence of architect Ray Kappe - who co-founded SCI-Arc together with Thom Mayne of Morphosis - the house stands as one of Southern California's most studied works of residential modernism. Set on a steep, wooded site in Pacific Palisades, the structure hovers above the hillside on a framework of vertical concrete supports and expansive redwood beams.

No matter the style or scale, however, his sixth sense for the provision of creature comforts is evident throughout his work. "He just knew how to design a house for cultured living," notes Escher. It's telling that Williams opted for modernism in his own residence, yet the functionalist disposition of the rooms is balanced with richly personal details. "On one hand, it's still sort of a traditional layout in how the kitchen and back-of-house facilities are organized," says GuneWardena.

My house is my history book. Like a wise grandfather, this splendid relic of 1903 has been teaching me about the city that adopted me 15 years ago. The old place has watched Los Angeles grow from just over 100,000 to more than 3 million. It was here before the movies, before the aircraft plants, before the car dealers.

By utilizing this dual-entry condition, the design reorganizes the vertical circulation, placing the primary entrance on the upper level and redefining the ritual of returning home while transforming storage into an architectural façade.

Architecture that celebrates the natural transition between day and night, using light and shadow to create a dynamic play of contrasts. The filled spaces, with their defined functions, are complemented by the emptiness of the courtyards, which act as visual and sensory ventilators.

When we first visited the site, what struck us the most was that after emerging from a narrow alley, an extraordinary view opened up toward one of the slopes of the Tepozteco mountain range. These rock formations are emblematic of the region, and the land ends precisely at the base of this dramatic topography. From the very beginning, one of our main concerns was to ensure that every room-whether for gathering or resting-could enjoy this privileged view.

As the weights touch, they get a bit musical and there's a kind of harmonic ring in your wall. It's like the house is alive. But with soulful age come other sounds: rattles, wind whistling through gaps and a homeowner's curses because the blasted contraptions won't open and close properly.

With their red-tile roofs and stucco walls so commonplace that they've become part of the landscape, the homes of the Spanish Colonial Revival tapped the climate, local materials and an idealized view of history to become the signature style of Southern California.

Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.

Indian Hills Ridge is a development of CoastFed Properties, formerly the Mayer Group. Construction has begun on four models at Indian Hills Ridge, a 66-acre project east of Yosemite Avenue and north of Flannagan Drive in northeast Simi Valley.

This Craftsman home, set on a roomy three-quarter-acre lot, has the rolled roof edges, deep overhangs and protruding rafter tails characteristic of the style developed by brothers Charles and Henry Greene. Originally built for Packard dealer Earle C. Anthony, the shingle-clad house was moved from Los Angeles to Beverly Hills in the early 1920s by silent-film star Norman Kerry.