Relationships
fromPsychology Today
1 hour agoWhat Women Say They Hate About Porn
Porn is often blamed for deeper relationship issues rather than being the root cause of problems.
Being watched in public is perhaps a uniquely female experience. Sadly many women can relate to being leered at from car windows or catcalled from scaffolding, with video content being the latest, depressing escalation of this kind of behaviour.
'Forbidden Fruits' has been widely hailed as a 'cult classic' by critics and fans, but labeling it as such too soon risks undermining the process that establishes a film's cultural significance over time.
I really wanted to look at the differences between films made by men ... when they're directed by men, it's very taboo, it's sensationalized, it's explicit and it's often violent .... (with) the films made by women, or best case, lesbian women because it's so different, it is like night and day. I'm trying to show that contrast, and that difference.
It was the first time I felt genuinely unsafe here, she says. Alongside a growing fear, childhood memories resurfaced—the internal and external racism and the exhaustion of never quite fitting in. I moved to Australia when I was seven and didn't speak English—it was a tough time for me, she admits. And then there was one particular recurring thought. There were many times when I'd wake up as a teenager and think to myself: Wouldn't life be easier if I were white?
For as much as gays love their horror, and as many examples there are of the genre finding its haunting power through queer metaphor (from the scary subtleties of Psycho to the screamingly obvious A Nightmare on Elm Street 2: Freddy's Revenge), there are relatively few mainstream horror films that actually tackle LGBTQ+ themes head-on. However, after a rapturous reception at the Sundance Film Festival, Australian supernatural fright flick Leviticus was quickly picked up for theatrical release by Neon and might just be the " queer horror masterpiece " we've been waiting for.
10 Cloverfield Lane Mary Elizabeth Winstead, John Goodman and John Gallagher Jr are locked in an underground bunker for the majority of this left-field sequel to Cloverfield, with thrilling results. In the film's final throes, Winstead's character exits the bunker, and finds that her captor was telling the truth about an alien invasion above - a twist that completely and ruinously dissipates the hard-earned tension that came before.
The Sundance Film Festival concludes its 2026 edition this weekend, marking its final year in its iconic home of Park City, Utah, before moving on to its new host city in Boulder, Colorado next year. As we continue to look back at the hefty legacy of queer films that premiered there over the years, this week we'll revisit a landmark lesbian drama that put a beloved '80s icon back in the spotlight, and kickstarted the career of one of the most representative filmmakers of the New Queer Cinema wave.