#noriko-rapley

#noriko-rapley

'Give them a smile, you know, something that can also be a deeper level of understanding,' Sara Ricciardi tells designboom, framing the installation as an immediate emotional trigger before it unfolds into something more layered.

"I love the range in this booth, from large-scale ceramic totems to more intimate neon paintings. I'm always impressed by the artists Freeburg represents and the clarity of her program's mission."

The Olympus Perspective Playground operates as a fully built system, where walls, lighting rigs, circulation paths, and signage are developed together with each installation, creating a continuous spatial script.

In what became a standard studio visit, I discovered a humble and thoughtful artist who refuses to use her celebrity for easy career gains.

The Grand Palais in Paris unveiled an enormous exhibition focusing on the final 13 years of Henri Matisse's life and work, featuring abundant examples of his celebrated gouache cut-outs.

Camera (1) is a compact, metal-bodied camera designed for ease of use, featuring a single-edge control layout that allows for quick adjustments without navigating a touchscreen. This design is particularly beneficial during cherry blossom season when moments are fleeting and require immediate capture.

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

The Duchamp exhibition at MoMA is encyclopedic, thought-provoking, and sometimes surprising. It spans the entire sixth floor and invites viewers to engage deeply with his work.

The best argument I can make for why I like reading fiction in translation is because it facilitates the psychedelic experience of encountering someone else's subjectivity twice over. The translator must act as a prismatic filter, faithfully attempting the impossible task of replicating someone else's experiences and ideas. To read in translation is to read two stories in harmony with each other: The one the author wants to tell and the one the translator has brought into your linguistic world.

This depicts Guernica after the battle. The figures are no longer fighting. They're in a giant pile. They're exhausted and there's a sunrise on a new day behind them. The title of the work is A Whole New World (for Who?). It's asking what's going to happen after the conflicts that we have. Who's going to be taken into that new world?

Naoto Nakagawa's current show at KAPOW brings together a significant group of new acrylic paintings and intimate watercolors, situating his recent practice within both the Japanese shunga tradition of erotic art and his own six-decade exploration of perception, material culture, and the natural world. On view at KAPOW in Manhattan's Lower East Side through February 22, works across the exhibition resonate with themes that have defined Nakagawa's career since the 1960s - most notably his persistent pairing of man-made objects with organic life.

Known most for her large-scale artworks created from vast, intricate networks of thread, she developed her unique practice to make tangible the endless speculative configurations of human connections - something to be experienced rather than defined. But by asking her to describe her new exhibition, Threads of Life at the Hayward Gallery, I'm dragging her back into a reductive world of language. "If I wanted to express myself in words, if I could explain in words, I'd rather write," she says. "So I want to build visually, and I want to create visually. What I want to describe is beyond words."

Appointed Artistic Director of the Visual Arts Department in December 2024, Kouoh had fully developed the theoretical framework of the exhibition, artist selection, editorial structure, graphic identity, and spatial layout prior to her passing in May 2025. With the support of her family, La Biennale di Venezia committed to realizing the project exactly as she had conceived it.

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.

Designed by Boston-based sound and installation artist Ryan Edwards and his team at MASARY Studios, the installation doesn't just sit there looking pretty. Every shift in color and geometry is triggered by audio recorded on Fulton Street itself, whether it be traffic rumbling past, snippets of conversation, subway noise, pigeons, crosswalk signals or devotional music drifting in from Brooklyn Tabernacle down the street.