NYC music
fromPitchfork
16 hours agoJuvenile on the Music That Made Him
Juvenile's influence bridges East Coast and Southern hip-hop, with a lasting legacy in the genre and recent album release.
Dooky Chase's Restaurant has been a culinary landmark in New Orleans, known for its signature dishes like fried chicken and gumbo, attracting celebrities and political figures alike.
The territory was named La Louisiane in 1682 by French explorer René-Robert Cavelier de La Salle, in honor of King Louis XIV, who claimed for France the vast Mississippi River basin. When French settlers later founded New Orleans in 1718, the region quickly became a center of French culture in North America.
Tharpe, a veteran of the gospel scene, has picked Knight out of a backing quartet the previous evening. Now she intends to teach her partner how to 'swing', to infuse Knight's religious repertoire with some nightclub rhythm and blues. Knight, the younger, more restrained church singer, is awestruck by Tharpe's musical adventurousness.
The idea of an Indian meat and three seemed like a perfect mash-up. The LUFU guys really put on a show. They had their tandoor in the parking lot and were making fresh naan for every plate.
It's a standard trope in portrayals of assimilated Jews to open with a scene built around a Christmas tree. That's how Tom Stoppard's " Leopoldstadt" and Alfred Uhry's " Last Night of Ballyhoo" begin, and also Ian Buruma's memoir about his grandparents, " Their Promised Land." The idea is, as soon as you show that, you've got the audience's full attention, especially if it's a Jewish audience, because it's so peculiar.
I moved to Chicago in September 2024, the year I released The Past Is Still Alive and hit the road with a new band - a group of musicians recommended by my front of house/production manager, Johnny Wilson. Everyone had ties to the city, and had been playing together in the DIY scene for over a decade. Since then, we've traveled the world together, becoming family, playing the best shows of my life.
When Norman Sylvester was 12, long before he garnered the nickname "The Boogie Cat" or shared a stage with B.B. King, he boarded a train in Louisiana and headed west, toward the distant city of Portland, Oregon. He'd lived all his life in the rural South, eating wild muscadine grapes from his family's farm, fishing in the bayou and churning butter at the kitchen table to the tune of his grandmother's gospel singing.
I'm chowing down on a mini King Cake, my breakfast. It's a braided cinnamon Danish sprinkled with purple, green, and gold edible glitter, with a cream cheese filling and a little plastic baby perched astride. The baby represents the infant Jesus and is said to bring luck (and an obligation to host the next fête, if he shows up in your slice.)
Referring to Franklin as "music royalty," Lagasse welcomed the singer to his show for a birthday dinner of fried oysters with horseradish cream, tomato and sweet corn relish, grilled veal chops with herbed cheese, wild mushrooms in Bordelaise sauce, and prosciutto-wrapped asparagus. Needless to say, Franklin was quite impressed with the beautiful meal, even asking Lagasse between bites, "Did I hear you were single?"
At first glance, Buck & Johnny's, a restaurant just outside Lafayette, Louisiana, looks unremarkable: a warehouse-like space with exposed brick, a large dance floor, and walls decorated with football helmets and old oil company signs. Then, a five-piece band strikes up in the corner. Louisiana zydeco rolls across the room, driven by accordion and the full-body washboard frottoir (a percussion instrument). Couples of all ages gravitate to the dance floor, stepping, spinning, and swaying with varying degrees of confidence.
A trumpeter and composer of rare intuition and inspiration, Blanchard will perform Feb. 20 in Miami as part of the Arsht Center for the Performing Arts' acclaimed Jazz Roots series, returning to his iconic Malcolm X Jazz Suite with his band, The E-Collective, and two-time Grammy-winning Turtle Island Quartet. Created after he wrote the score for the 1992 Spike Lee biopic "Malcolm X," Blanchard has over the years updated and expanded the suite, performed here as part of the ongoing centennial celebration of the slain civil rights icon. Visit ArshtCenter.org.