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Hisham Matar: We all go through a lot. I'm wary of having material'

Hisham Matar is a Libyan author whose new novel, My Friends, is described as his most political work yet.
The novel follows a Libyan exile as he takes a walk through London, reflecting on his youth and experiences during the Arab spring.

Hisham Matar: We all go through a lot. I'm wary of having material'

Hisham Matar is a Libyan author whose new novel, My Friends, is described as his most political work yet.
The novel follows a Libyan exile as he takes a walk through London, reflecting on his youth and experiences during the Arab spring.

The Literature of Exile

Exile serves as a powerful engine for fiction, allowing writers to gain an intimate proximity to a new society while still standing at a distance from it.
The duality of being an exile, both inside and outside, is also the superpower of the novelist, allowing them to capture unique perspectives and experiences.

Hisham Matar: We all go through a lot. I'm wary of having material'

Hisham Matar is a Libyan author whose new novel, My Friends, is described as his most political work yet.
The novel follows a Libyan exile as he takes a walk through London, reflecting on his youth and experiences during the Arab spring.

Hisham Matar: We all go through a lot. I'm wary of having material'

Hisham Matar is a Libyan author whose new novel, My Friends, is described as his most political work yet.
The novel follows a Libyan exile as he takes a walk through London, reflecting on his youth and experiences during the Arab spring.

The Literature of Exile

Exile serves as a powerful engine for fiction, allowing writers to gain an intimate proximity to a new society while still standing at a distance from it.
The duality of being an exile, both inside and outside, is also the superpower of the novelist, allowing them to capture unique perspectives and experiences.
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Hisham Matar: We all go through a lot. I'm wary of having material'

Hisham Matar is a Libyan author whose new novel, My Friends, is described as his most political work yet.
The novel follows a Libyan exile as he takes a walk through London, reflecting on his youth and experiences during the Arab spring.
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