#movie-casting

#movie-casting

The second season appears to go in a The White Lotus-esque direction with Oscar Isaac and Carey Mulligan as a couple whose fight is witnessed by two country-club employees.

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

DraftKings Sportsbook director Johnny Avello said last year that his trading team relies on trade publications like GoldDerby, which specializes in tracking and predicting entertainment awards shows, to make the odds for the Oscars. He told ESPN ahead of this year's ceremony that one added factor is the continued emergence of prediction markets, which are perhaps more in tune with non-sports-related wagering and rely more closely on the movement of markets.

Los Angeles is home to more than a dozen one-of-a-kind cinemas that operate on their own terms. Some of these theaters have been around for 100 years, and in classic LA fashion some of them are owned by living LA legends-think Quentin Tarantino and Kyle Ng. Kristen Stewart recently announced she's also jumping into the mix with her purchase of Los Angeles's Highland Theatre.

Albert Cheng, who heads the AI Studios initiative, emphasized that the goal is to support creative teams, not to replace them. The focus is on improving efficiency and reducing costs while ensuring that intellectual property is protected and AI-generated content isn't absorbed into other AI models. One example used is Amazon's "House of David" series, which featured 350 AI-generated shots in season two.

The Human Artistry Campaign's " Stealing Isn't Innovation " movement launches today with over 800 signatories. Those include many Hollywood actors, including Scarlett Johansson, Cate Blanchett, and Joseph Gordon-Levitt, as well as writers such as Jodi Picoult and Roxane Gay, and musicians like Cyndi Lauper and They Might be Giants. The campaign has a simple message: "Stealing our work is not innovation. It's not progress. It's theft-plain and simple."

It's nice that you are asking about props, because they're not really acknowledged, says Jode Mann, a TV prop master in Los Angeles. When Mann worked on the children's comedy show Pee-wee's Playhouse in the 1980s, she got a call from its star, Paul Reubens, who said he was nominating her for an Emmy. It was only after Mann told her mother and promised to thank her if she won that Reubens called back to say he couldn't nominate her because there's no category for you.

Last week, he opened a $230-million movie and television studio on the edge of the Arts District in downtown Los Angeles nestled alongside the dramatic new Sixth Street Bridge. The state-of-the-art complex has five sound stages, offices and other proper movie studio features such as a mill, commissary and base camp. "We just had all the major networks, all the major streaming platforms walk through this facility and they can't believe how nice it is," said Wainright, managing partner of East End Studios.

Casting as an artistic discipline has been around in its current form for decades, despite the proliferation of Zoom and self-tapes. Meticulous research, intuition, collaboration, and creative ability to expand on the filmmakers' vision all go into the casting process. We see no reason IndieWire can't retroactively reward that effort - albeit with no statues or acceptance speeches, unfortunately - to build a sense of what could have been a list of the Best Casting Award Winners for the first quarter of the 21st Century.

In fact, I've made a conscious habit of seeking out successful individuals so I can learn from their experiences. But the man often nicknamed the "King of the Hollywood Blockbuster" continues to elude me. And yet, despite never meeting face to face, Spielberg taught me one of the most important lessons of my entire career. It's a lesson I've learned through engaging with his work.