#military-cinema

#military-cinema

A whole vocabulary of mediaspeak terms applied to real life has gradually emerged. Included here, among others, are: collateral damage, neutralized, canceled, surgical strike, playbook, rules of the game, high-value target, and gamechanger.

Desert Warrior is essentially just the most expensive version of those kiosks ever made, conceived as an epic showcase for the Saudi film industry.

The economics are hard to ignore. Shooting down a drone with AeroVironment's LOCUST laser system costs less than $10, using just two to five seconds of laser energy. Compare that to the interceptor missiles currently used against Iranian drone swarms, which cost orders of magnitude more and are in short supply across allied arsenals.

Gritz was a highly decorated Vietnam vet who became a right-wing political figure in the late 1980s and early 1990s, including a long-shot presidential run in 1992. In his post-war career, he was most famous for acting as a mediator in the notorious Ruby Ridge standoff in Idaho in 1992.

It's a great story where Conan was 40 years king...and he gets complacent, and he gets forced out of the kingdom, slowly. Then there's conflict, of course, and then he somehow comes back, and then there's all kinds of madness and violence and magic and creatures.

John Rambo's cast will include Yao, who played Bo Chow in Sinners; Quincy Isaiah, who played Magic Johnson in Winning Time and Tayme Thapthimthong, who played Gaitong on the third season of The White Lotus.Those actors will join Noah Centineo, who is set to play the title character. Centineo's filmography includes a leading role in the Netflix series The Recruit, along with supporting roles in everything from Black Adam to Warfare.

Perhaps sensing this wariness, the creators of some of the more politically compelling movies and TV shows of the past year have instead explored how being alive feels during a tumultuous period. They capture the atmosphere, the mood, the ambient existence of everyday people who are living through a transformative time in history, whether or not they recognize that they are doing so.

As the movie opens, the city is being terrorised by a cult calling itself New World, whose members are hell bent on demonstrating their commitment to a survival-of-the-fittest creed by murdering everyone in sight. Their leader, a fearsome killer nicknamed the Night Slasher (Brian Thompson), wields a giant, spiky knife that must be the envy of Black Metal bands everywhere.

I'm thrilled with any chance to collaborate with the Harvard Film Archive and to make use of Harvard's collection. I've taught several of Kubrick's films in different courses over the years, but never all of them together and never on the big screen. It is a unique opportunity. The HFA is one of Harvard's treasures. I'm really grateful to them for making this happen.

The esteemed film-maker was licking his wounds: his most recent picture, Far from the Madding Crowd, which imbued its 19th-century rural characters with an anachronistic King's Road style and panache, had flopped stateside. Childers approached the date with mixed feelings. He adored Schlesinger's previous movie, the jazzy Darling, starring Julie Christie as a model on the make, and had seen it three times.

During a junket interview with OutNow, Gyllenhaal explained that the punctuation mark was included to represent the "whole lot of energy" that comes out when the historically muted Bride of Frankenstein is finally allowed to speak. That's all well and good, but to viewers the titular exclamation point is less of a metaphor and more of a golden arrow saying, "This movie is going to be crazy."