Jon Stewart remarked on Trump's response to the Pope's Easter message, stating, 'It does not come into my brain that anyone in the world hearing the Pope's message of peace will have some kind of weird problem with it, except for Trump.'
On this site birthed in 1963 lays lain layed lies the location original whereabouts around here of the Berkeley Copywriter's Guild, A place where word geeks were often found with their smug understanding of grammar and their tiny worn-down blue pencils marking up all the fun words for boring ones.
ARMY Twitter was aflutter with accusations that the warm-up comic for The Tonight Show Starring Jimmy Fallon made a racist joke. He said, 'Anybody here from the North? No? Nobody?' Fans interpreted that as being directed at the band, implying that one of them was from North Korea.
Two-thirds of the attempts at humour during these talks fell flat, drawing either polite chuckles or no laughter at all. Almost one-quarter of attempted jokes were judged as a "moderate success", eliciting audible laughter from around half the audience. Only 9% prompted most or all of the attendees to laugh enthusiastically.
A crack of thunder, a flash of light, and a sulfurous mist flooded my apartment. Marax, President of Hell, stood before me. Marax entered my summoning circle, eyes burning with unholy fire, and I gave him the stack of homework to flip through while I brushed my teeth. Marax marked up the papers and fleshed out my bullet points into thoughtful feedback before I even got to my molars. Then-three hours of my life, saved!-I banished him back to Hell.
The lyrics have a rather annoying quality to them, similar to the way that other songs like "Call Me Maybe" by Carly Rae Jepsen, "Fireflies" by Owl City or even "Friday" by Rebecca Black did in their time - songs that gained rapid popularity and, just as quickly, sparked rapid backlash from many due to overexposure to them.
"One of them caught our eye, the one in the center," Herzog explains as he narrates the documentary. "He would neither go toward the feeding grounds at the edge of the ice, nor return to the colony. Shortly afterward, we saw him heading straight for the mountains, some 70 kilometers away. Doctor Ainslie explained even if he caught him, and brought him back to the colony, he would immediately head right back for the mountains. But, why?"
He would refer to his father as ce salaud bourgeois (that bourgeois arsehole) and he delighted in telling me the story of being thrown out of school aged eight because he punched the gymnastics teacher who was trying to instil discipline into young boys by turning them into military martinets. Of the professions and attitudes that merited his ire the military, the church, hypocrisy, sham, inauthenticity, politicians, academics and fascists collaborateurs had a special place in his heart.
Steve Martin Writes the Written Word is an aptly-named collection and excellent introduction to the comedian's best writings, including some new material. In another piece, he makes the list of 100 greatest books he read laugh out loud funny with fake titles such as "Omelet: Olga - Mnemonic Devices for Remembering Waitress' Names" and "Marijuana! Totally Harmless (can't remember author)."
Anyone who spends untold hours surfing the Web for humorous content will eventually find the work of one Vladimir Shmondenko, a prankster who goes by the name Anatoly. He's developed a faithful following, and, as far as I can tell, makes a comfortable living entirely from his TikTok and YouTube videos.
Memes have become the clearest and most direct language of digital culture: condensed fragments of reality that synthesize the complexity of the present and circulate at the same speed as a society surrendered to hyperstimulation. From the Dancing Baby of the 1990s to the endless templates of X, Instagram, or TikTok, memes have evolved from simple ephemeral jokes to veritable systems for decoding the world, semiotic capsules that allow us to process the political, the social, and the intimate.
Readers who saw my previous post will recall its focus on a recurring pattern of laughter and humor found during my deep dive into the humor of the Seinfeld series. I wondered why we tend to laugh at various things going into our bodies and tried to explain why we might be so inclined using the Mutual Vulnerability Theory of Laughter.
No one could accuse Fleming of tailoring his act to please a conventional audience. His stage attire lies somewhere between "androgynous hipster" and "clown," and his only criteria for a premise appears to be "What does my brain fixate on?" He expects his audience to keep up with any cultural reference his Massachusetts-born, millennial, Skidmore arts-graduate brain might make without ever stopping to explain what, say, "Gatsby-esque" might mean in the context of Bitmoji.