#magazine-issue

#magazine-issue

The first episode challenges Shakespeare's vision of a villainous Richard III, while a future episode will consider the Ross and Rachel of early modern history, Henry VIII and Anne Boleyn.

During the run-through, he said softly into the mike, 'There's no way to rehearse this in the studio.' It was after hours, but the dances are designed to be performed when the library is packed.

Xinyu Hou designs for adaptation, working with the body as it actually behaves under stress, rather than how it is only expected to perform for an audience.

Chris is a genuine anomaly in the media landscape. He consistently takes on projects that are difficult to execute under high-pressure deadlines, maintaining a calm demeanor and a contagiously positive attitude.

The texture of the material and the handcrafted quality were aspects that particularly interested them. The challenge was to translate my style from stone to paper.

The Mirror uses erotic cinema as a narrative tool to explore something rarely addressed in this genre: the emotional aftermath of a breakup, where desire, memory, and fantasy intertwine as Roberto tries to understand what has happened to his relationship.

His humor, his clarity, and his vision shaped many discussions across the agency and within the wider photographic world. This exhibition pays homage to the unique vision of Martin Parr, whose sharp eye for contemporary society and prominent role within Magnum Photos have left an enduring mark on photography.

Fashion is more than a visual medium. The thoughts, ideas and voices of designers drive our industry also. For the past quarter-century, we have been fortunate enough to speak to its greatest names, those who have defined and redefined their metier in the 21st century.

You'll get a pre-made faux leather cover to decorate and personalise with a range of buttons, charms, stamps and fabric pieces. You'll learn to experiment with collage and layering techniques and combine different types of embellishments to add texture, colour and personality to your journal.

As we contemplate a future of self-driving cars, Cameron Clarke finds out that there's still some way to go in convincing the public to cede control to machines. John Reynolds explores the almost unimaginable opportunities a driver-free society presents for advertisers. Design will play a large role in gaining public acceptance and mass adoption of driverless technology, so The Drum takes a look at some of the weird and wonderful concepts seen so far, and asks designers what challenges remain.

Our mission is to bring together the worlds of design, architecture, art, and technology, fostering creative thought and global dialogue. We are driven by a philosophy of 'Utopian Optimism' and a 'What If' mindset, believing in the power of design to shape a better future. We believe that design is not decoration, but transformation. It is how we learn to see, connect, and rise.

In a stunning new photobook, La Isla, Argentinian photographer Matu Buiatti invites us into a profound exploration of intimacy, trust, and the human body, framed through the lens of analogue photography. This 18-month project transcends mere image-making; it is a beautifully crafted dialogue about human connection, where the photograph emerges not as a starting point but as the culmination of shared experiences.

The brutal crackdown in Iran, ICE in Minneapolis, Russian aistrikes in Kyiv and heavy rain in Gaza the past seven days as captured by the world's leading photojournalists

"This project, called "The Spectacle," where I constructed clothing pieces using unconventional materials, giving them a new look through photography," says photographer Sidinei Miranda about the editorial.

For those who are in desperate need of stimulation, this zine delivers - its visual language is razor-sharp and packed with colour, each page feels like a porno magazine that has vomited everywhere. Hattie calls it a "frenetic deluge", a collection of themes that circle the drain of "online fatigue", a way to process an excessive amount of information in order to create meaning and seek comfort.

There is a certain kind of presence that requires no grand staging. The editorial "Saint" captures exactly this moment: the intersection of youthful nonchalance and a nearly statuesque stillness. While the first part of the series maintained a cool distance in gleaming white, the continuation dives into an atmospheric darkness. Here, the boundaries between shadow and silhouette blur, lending the series a nearly sacral, heavy depth.