"Messiah" da capo: A reflection on Julian Perkins' first annual oratorio with Portland Baroque Orchestra and Cappella Romana * Oregon ArtsWatchJulian Perkins views Handel's Messiah as a dramatic work where music enhances the narrative established by the libretto.
The introduction of music into the dramatic text will not make the text invisible: Portland Baroque Orchestra and Cappella Romana's first "Messiah" with Artistic Director Julian Perkins * Oregon ArtsWatchHandel's Messiah retains its relevance and dramatic power, appealing to today's audiences through its universal themes.
"Messiah" da capo: A reflection on Julian Perkins' first annual oratorio with Portland Baroque Orchestra and Cappella Romana * Oregon ArtsWatchJulian Perkins views Handel's Messiah as a dramatic work where music enhances the narrative established by the libretto.
The introduction of music into the dramatic text will not make the text invisible: Portland Baroque Orchestra and Cappella Romana's first "Messiah" with Artistic Director Julian Perkins * Oregon ArtsWatchHandel's Messiah retains its relevance and dramatic power, appealing to today's audiences through its universal themes.