Thank you...for being able to fight for my freedom. But what's more important than that is that you continue to fight for your land and to continue to fight for your people and all people.
The issue is really relevant now because the issue is being argued again in terms of things like states being able to pass rules to suppress votes that have been used before. For example, if a physical address is required to vote, many Indian lands have only recently gotten streets with addresses.
Upon entry, Kent's "IF" (1965) lures the eye upward. The serigraph-a silkscreen print in fine art parlance-hangs high on the wall with a subtle vulnerability. Two orange letters hover toward the composition's top edge, as if pushing to transcend the picture plane. A feeling of possibility emerges through the conjunction and its visual form.
There is a scene in "Morgenkreis | Morning Circle" (2025), a 16-mm film by Berlin-based Palestinian artist Basma al-Sharif, that unfolds at the threshold of a daycare center. A young boy clings to his father, his fists locked into the fabric of his coat, his arms wrapped tightly around him. The father gently tries to pry himself free while a daycare worker crouches nearby, attempting to distract the child and coax him inside. It is an ordinary moment, one that anyone who has ever been a child - or cared for one - recognizes instantly, as well as the gut-wrenching feeling it provokes.
Ong's work contains a deep reverence for the otherworldly, combining the remnants of ancestral knowledge with speculative visions to form a kind of personal myth-making. The title of their latest series, "Always Were", is intentionally fragmentary suggesting a temporal and grammatical ambiguity that points to the liminal nature of Ong's figures and the time and place they inhabit.
When a Las Vegas jury on Jan. 30 found Nathan Chasing Horse guilty of 13 felony counts, most of them related to child sexual abuse, it sent reverberations through tribal communities across North America. One of the most powerful tremors passed through Sonoma County. I don't have the words to describe what it feels like to have this conviction come through, and to know this process started on a bench in (Santa Rosa's) Howarth Park, said Kathryn Lombera, who lives in Windsor.
"The object of the Museum is to acquire power," announces a crusty old archaeologist in Penelope Fitzgerald's 1977 satire, The Golden Child. It isn't a goal he respects. He wants the museum where he's settled into semiretirement to genuinely devote itself to educating its visitors. Instead, he correctly charges, its curators act like a pack of Gollums, hoarding "the art and treasures of the earth" for their own self-aggrandizement and pleasure.
In a dimly lit, dusty church basement, eight people meet and place their cellphones into a wooden box. Each member of the octet struggles with a dependency upon the very tool that enables us all to enjoy a level of historically unprecedented convenience - the internet. Like the characters, audiences are called to unplug and immerse themselves in the world of Studio Theatre's production of Dave Malloy's unique a capella musical, Octet.
I've been aware of the Gochman Family Collection for a number of years through my work with artists in the collection, including during the organisation of Jaune Quick-to-See Smith: Memory Map. What drew me to the role was the chance to focus on the parts of curatorial work that excite me most--supporting living artists and helping them realise their visions.
In the lawsuit filed last year, Jacobson sought C$5m ($3.6m) from the estate in general, aggravated and punitive damages. He alleged Morrisseau reached into his pants and touched him on the buttocks after Morrisseau's assistant suggested he could heal Jacobson's back pain. In an affidavit filed last September, Jacobson acknowledged that Morrisseau suffered from Parkinson's disease, but claimed he was "still able to use his arms and hands in 2006, with assistance".
In his graphic design work, Aldon transforms periodic tables and dense masses of information into maximalist pieces of design, expressing information whilst also challenging the impossibility of taking it all in. Data sprawls across screens and pages, overlapping in overloads and feedback loops, communicating more the aesthetic of information rather than its substance, playing with images we have all seen in science classes or colour palettes. These are exploded infographics.
The only thing most people know about epiphytes, if they know about them at all, is that they're rootless. That's not quite true - they develop highly specialized root systems adapted to wherever they land. In Epiphytic Elucidations at Patel Brown Gallery, Calgary-based artist Marigold Santos takes this fact as more than a metaphor. The exhibition uses epiphytes - plants that grow on other plants without harming them - as a framework for the expansive ways diasporas form through material labor.
Amid the savagery of the Trump administration's crackdown on immigration - culminating in the killing of Renee Nicole MacklinGood - everyday Americans have shown incredible courage in pushing back against ICE's takeover of their cities. Joining them today are several Minnesotaart institutions that will close their doors to protest against the cruel treatment of their neighbors. You can read all about that today, plus a moving personal essay by Ifrah Mansour, a Somali-American artist based in Minnesota.
As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.
With most of us, 90 minutes of reminiscing wouldn't make for scintillating theater. Gert Boyle, as played by Wendy Westerwelle, is the exception to that rule. The late Gert came to fame when she took the reins of Columbia Sportswear after her husband's death in 1970 and also became the "One Tough Mother," with gray hair and glasses, of its comedic '80s and '90s ad campaigns. In one, she put her son, Tim, through a carwash to test the durability of a coat.
