#john-cage

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fromAeon
6 days ago

How 'nothing' has inspired art and science for millennia | Aeon Essays

In 1952, John Cage shocked audiences by staging four minutes and 33 seconds of silence. His composition 4'33" was an attempt to make nothing audible. It was inspired in part by Robert Rauschenberg's White Paintings (1951), entirely white canvasses that work as blank screens to register shifting shadows and reflections, and project them as art. 'A canvas is never empty,' says Cage, quoting Rauschenberg, and 4'33" bears that out, as random ambient sound - coughing, shifting, programmes rustling - becomes a kind of music.
philosophy
Music
fromOpen Culture
1 month ago

Hear Joey Ramone Sing a Piece by John Cage Adapted from James Joyce's Finnegans Wake

John Cage's 'The Wonderful Widow of Eighteen Springs' transforms Joyce's Finnegans Wake text into rhythmic spoken music with patterned percussion and flexible vocal arrangement.
philosophy
fromApaonline
5 months ago

John Cage's 4'33" and Experimental Phenomenology

The cover of John Cage's 4'33" by Dead Territory enhances phenomenological understanding by encouraging a deep reflection on sound and silence.
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