Krakowski was almost the photo-negative of Calista Flockhart's title character: brassy, eccentric, unconcerned by others' opinions. Similarly, her character in 30 Rock, Jenna Maroney, acted as the bookend to Tina Fey's Liz Lemon, Krakowski untouched by self-awareness, Fey beset by it.
'In a way, it feels a little bit like it was all a dream-just like it must have felt for Marnie,' Williams reflects on the filming of the episode, emphasizing the surreal quality of Marnie's journey.
I didn't hear Deceptacon by Le Tigre when it was released in 1999, but I was at a friend's house while he was out, going through all his records, and played it by random. It shook me to the core and I think I played it 100 times in on repeat, dancing around, completely excited. I had never heard something so angry and feminine.
I had an eating disorder, and it took time, and it took a lot of help, and also it was depression... I didn't know how to be alive the way I wanted to be, and it was difficult, but I do not for a second regret it, and I think I've been able to transform it and recognise our vulnerabilities as humans in the world.
"I've never felt massively feminine in my being female. I've always described myself to my husband as a gay man. And he goes, 'Yeah, I get that' And so I do feel at home and at ease. I feel like I have a foot in various camps. I know many people who do. I don't really spend an awful lot of time with people who are very staunchly heterosexual."
Kramer followed up, notebook in hand. The New Yorker, then led by William Shawn, was averse to polemical swashbuckling; it would never print a phone number as a kicker. But its writers could take their time. Kramer embedded with the Stanton-Anthony Brigade, the "founding cadre" of a set of revolutionary cells devoted to consciousness-raising, or C.R. She sat in as members shared intimate stories, seeking patterns of oppression and strategizing methods of resistance; she watched sisterhood blossom, then break down.
burdened by loneliness, depression, and the incessant needs of others, pours herself a stiff drink and steps up to the noose she's hung from the rafters of her airy farmhouse. Then the phone rings: her ungrateful brother, making demands. She tries again-another ring, another request, this time from a friend. She plays the piano, doesn't she? Will she join a group of fellow-amateurs for a charity gig? Twice thwarted, Beth sighs, says yes, and gets on with the business of living.
A movie about a visionary man whose genius made him one of the greatest figures in literature. William Shakespeare is played by Paul Mescal, an actor who leaves no demographic unravished by his outrageous levels of magnetism. And yet Hamnet is a film that sidelines both of these men to supporting roles. The film is about Shakespeare's wife, Anne Hathaway, long viewed as a dumpy, illiterate woman unworthy of attention abandoned by Shakespeare in Stratford-upon-Avon when he swanned off to London.
Among the bold choices in Luca Guadagnino's feverish film of William S Burroughs' novel are the late 20th-century pop and alternative soundtrack (Nirvana, Prince, New Order) for a 1950s story, and the casting of an unrecognisable, orc-like Manville in a trumped-up cameo as the shaman Dr Cotter, who was male in the original book.
After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original movie's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.
Now, Lambert is back with JennaWorld, which aired its final episode on Monday, January 26. It traces businesswoman and "Queen of Porn" Jenna Jameson's life - from growing up in Las Vegas and finding stability working in porn to going all the way to the industry's financial climax and her eventual awkward, messy comedown. Jameson typifies what Lambert calls the female anti-hero.
"I've become a mom and I'm in a wow moment of my life that I never expected, and it's such an honour to come home and share this with you," she said. Buckley gave a nod to her co-star Paul Mescal in her speech. "I know everyone is sick of me talking about how much I love him, but I love him, and to Kerry for reminding me of my own wildness," she said.
She continued: "I share this with my daughter, who has been with me since she was six weeks old on the road with this. "It's the best role of my life being your mum and I promise to continue to be disobedient so you can belong to a world in all your complete wildness as a young woman. I am very grateful for this."
"a romantic vacation goes awry when a volcanic eruption strands Bethany (Charli XCX) and her soon-to-be fiancé, Rob (Will Madden) in Warsaw, Poland. Bethany takes the explosive event as a sign to ditch her baggage, reunite with childhood friend Nel (Lena Góra) and traipse across lofts, clubs and back alleys, all the while becoming entangled in an emotional web that challenges her sense of self."
Tattooed on Asia Kate Dillon's neck is "einfühlung," the German word for empathy. Not only is it a pretty bad*ss tattoo, it's also a guiding principal for an actor who strives to be a conduit for empathy in all their work, whether they're playing an inmate on Orange Is The New Black, a high-powered enforcer in John Wick: Chapter 3, or a financial analyst in the Showtime drama Billions, where they made history as the first non-binary main character an a mainstream American TV show.
In the case of his latest film, Gail Daughtry and the Celebrity Sex Pass, there's a scene in which a character tries in vain to close a door on Gail (Zoey Deutch) and her ragtag group of friends over and over and over again. At the movie's Sundance Film Festival premiere at the Eccles, laughter rippled across the room. It was funny, but then it kept going, and then it got funnier and funnier, the enthusiasm contagious.