#jazz-in-cinema

#jazz-in-cinema

Fearing for her safety, Lisette Model buried her photos of artists like Billie Holiday and Louis Armstrong, but a new book reveals them to the world. Lisette Model was targeted by the FBI during the Red Scare, like so many other leftist Jewish refugees. The book is one front, not least because of the systematic exclusion of women from art historical narratives and institutions.

Celebrated by the BBC as one of the city's top 8 literary destinations, The Urbane Arts Club is more than just a venue-it's a vibrant hub for culture and creativity. Through an eclectic mix of literary launches, musical showcases, and theatrical performances, it fosters an environment rich in conversation and artistic expression.

Even if you're just a casual jazz fan, you probably recognize "Take the A Train," Duke Ellington's swinging theme song. Or you've heard the melancholy ballad "Lush Life" sung by Nat King Cole, by Linda Ronstadt during her Great American Songbook era, or by Lady Gaga on the album she recorded with Tony Bennett. Both of those - and many other tunes - were written by a gay man, musician, composer, and arranger Billy Strayhorn.

For the first time ever, Brooklyn's premier professional orchestra, the Brooklyn Chamber Orchestra, is dedicating a full program to jazz, featuring the work of the late Charlie Parker, "Charlie Parker with Strings," on Feb. 13 at St. Ann & the Holy Trinity Church in Brooklyn Heights. It is also the first time in more than a decade that "Charlie Parker with Strings" will be heard live in New York.

The architect of the bestselling jazz album of all time, 1959's Kind of Blue, trumpeter Miles Davis is a towering figure in the history of the genre. Possessed of a piercing tone, innate melodic sensibility and a singularly uncompromising approach on the bandstand, Davis spent his five-decade career presiding over numerous stylistic shifts: bebop to cool jazz, modal jazz, electronic fusion, jazz funk and even hip-hop.

"Many found the music offensive, the dancing objectionable, and the popularity of both with young people verging on a mental health crisis." So writes music historian Susan C. Cook about ragtime, the heavily syncopated ancestor of jazz that arose in the late 1800s. Like all things, ragtime's subversiveness faded over time, and, a century later, the works of Scott Joplin and other practitioners had been relegated to carnivals and fairs, their jaunty piano melodies now evoking quaint notions of old-timey fun.

Michel Portal, a French pioneer of European modern jazz and a prolific writer of film music, has died aged 90, his agent said on Sunday. A multi-instrumentalist at home with the clarinet, saxophone, Argentine bandoneon and Hungarian taragot, Portal died on Thursday, said Marion Piras, one of his representatives. His 1965 album, Free Jazz, was considered a landmark in Europe's efforts to end American domination of the genre.

At the turn of the 1960s, when free jazz was making its initial seismic impact, multi-instrumentalist Phil Cohran-he later added the name Kelan-was living in Chicago and playing trumpet for Sun Ra's Arkestra. He contributed to crucial recordings by the band during his tenure, including We Travel the Space Ways, but Cohran was a restless autodidact who never stuck with any one project for long.