#jason-ting

#jason-ting

Pictoplasma is the world's leading conference on contemporary character-driven creativity, focusing on storytelling and how characters shape emotion, identity, and meaning.

The geometry of the pavement pattern, the shadows of the building and the figures playing with a basketball I just waited for the magic to appear and then it did.

Geddis' sculptures evoke an enigmatic tension between identity and glyph, teetering between abstraction and figuration like retrofuturistic icons, reflecting his diverse cultural influences.

The Parc mouse cursor appearance was done (actually by me) because in a 16x16 grid of one-bit pixels... this gives you a nice arrowhead if you have one side of the arrow vertical and the other angled.

Lachlan Turczan's practice sits in the space between physics, optics, and environmental art, as he works with lasers, water, mist, and custom-built lenses to produce sculptures made entirely from light.

Turn the circular base, and the whole structure begins to respond, gears catching one another as movement travels upward through its stacked layers. The form borrows from a celebration cake, with layered rings rising one above the other, soft in appearance yet precise in construction. Inside, one tier moves forward, and the next reverses, creating a continuous back-and-forth rhythm.

Following its acclaimed world premiere, 'Spectacular: The Art of Jonathan Yeo in Augmented Reality' makes its U.S. debut at SXSW from March 15th-17th, 2026. By blending Yeo's distinctive portraiture style with Snap's cutting-edge technology, the exhibit transforms a selection of his royal, celebrity, and self-portraits into living, responsive installations that invite guests to see beyond the frame.

Upload any picture or video, and Musubi uses artificial intelligence to extract the most important part and hover it in space as a 3D image within the frame. That could be a video of a child's first steps or a snapshot of a birthday party. The image will be displayed in 3D form, viewable in all its holographic glory across nearly 170 degrees.

"I've been thinking lately about how art reveals the writing on the wall. When I began developing the concept of human-machine collaboration it was 2015, years before the current wave of generative AI entered public consciousness."

A circular concrete ring forms a defined boundary, incorporating a landing and three steps that lead into a contained field of refined sand. At the center of this ring rises a tall cone clad in polished mirrored steel. The composition establishes a clear geometric contrast between the horizontal plane of sand and the vertical reflective surface.

Each layered element is independent, all housed within one object on your timeline. Multiple elements can be combined into a Flipbook by using the multi-select function. This allows for users to shift, organise, and retime frames.

As AI systems become more capable, more accessible, and more embedded in everyday workflows, creativity is emerging as one of the most important human skills in AI development and deployment. Not creativity as decoration or aesthetics, but creativity as problem framing, decision-making, and human judgment. In an era where many organizations are using the same models, tools, and platforms, creative thinking is what separates meaningful outcomes from generic ones.

Beautiful And Detailed Paintings In Resin By Feif Dong The Illustrator Has Created a Dreamy World that She Travels Through with Her Boyfriend Elspeth McLean Creates Beautiful Hand-Painted Stones This Artist Creates Beautifully Bizarre Backpacks That Look Like Octopus, Spiders, And Beetles Amazing Surreal And Tribal Backpacks By Konstantin Kofta Saddened By The Empty Streets Of Budapest During Lockdown, This Artist Filled The City With People From Classical Paintings UK Artist Unveils COVID-19 Glass Sculpture, One Million Times The Size Of The Virus

Digital by Nature: The Art of Miguel Chevalier at Kunsthalle München presents the artist's largest solo exhibition in Europe to date, curated by Franziska Stöhr. The exhibition surveys Miguel Chevalier's practice from the early 1980s to the present, tracing his sustained engagement with digital technologies as both tools and subjects of artistic inquiry. Born in 1959 in Mexico City and based in Paris, Chevalier has worked with computers as a creative medium for more than four decades.

But they also miss what makes his approach distinctive. Chang worked with objects that industrial culture designed to be identical: records pressed in millions of copies, portraits drawn according to strict house style, coins minted for perfect interchange. His interest lay in the precise moment when the promise of sameness begins to fail, when time and human handling leave marks that transform supposedly identical objects into singular things.