I was too embarrassed to sing in my apartment, he says on a video call. But my roommate at the time was dating the preacher's daughter, and had keys to the church across the street. In the dead of night, the madcap bassist and singer took his recording equipment to the empty church, set up on the podium, and first sang his anti-war song Too Many Puppies.
I didn't hear Deceptacon by Le Tigre when it was released in 1999, but I was at a friend's house while he was out, going through all his records, and played it by random. It shook me to the core and I think I played it 100 times in on repeat, dancing around, completely excited. I had never heard something so angry and feminine.
I wanted her voice because it's robustly an octave over mine. It's surprisingly, to me, more robust and embodied now than it was in '98, when they recorded Celebrity Skin, Hole's Grammy-nominated third album. Silver, tinkling, all the things I can't do. We're perfect together.
McCready's story captures the drive and sense of community that forged the powerful backbone of the Seattle music scene of the 1980s, as their world changed forever with the explosion of grunge in the '90s. Farewell to Seasons unflinchingly shows the brutal cost it had for so many artists and musicians as it captures the lived experience of that seminal era.
burdened by loneliness, depression, and the incessant needs of others, pours herself a stiff drink and steps up to the noose she's hung from the rafters of her airy farmhouse. Then the phone rings: her ungrateful brother, making demands. She tries again-another ring, another request, this time from a friend. She plays the piano, doesn't she? Will she join a group of fellow-amateurs for a charity gig? Twice thwarted, Beth sighs, says yes, and gets on with the business of living.
Throwing Muses, the highly influential band that helped draw up the road map for alt-rock in the '80s and paved the way for Nirvana and so many other acts to follow in the '90s, is finally coming back to town. Throwing Muses, led by phenomenal singer-songwriter-guitarist Kristin Hersh and featuring the equally awesome rhythm section of David Narcizo on drums and Bernard Georges on bass, are set to perform on April 17 at The Chapel in San Francisco.
I had to make a transition for survival from folk music, which was killed by the British Invasion. David Crosby was afraid that they were going to slap some kind of band on me and that it would ruin my music. So I made that record with voice and guitar. Then the record company sicced the band on me. It was called The Section, they were a good band for James Taylor and Linda Ronstadt, but they couldn't play my music.
Paramore singer Hayley Williams has teamed up with songwriting partner Daniel James for a new project called Power Snatch. The duo have unveiled four tunes via a three-song EP and stand-alone single. Williams and James revealed the project during a takeover on Apple Music 1, but it turns out the outfit has secretly been teasing music for months. They posted a snippet of a song via Instagram back in July, and released the tune "DMs" through Bandcamp in December.
War on Women have officially announced their fifth album, Time Under Tension, out May 8th via Smartpunk Records, while also unleashing the single "Messages Unsent." The album news comes after the Baltimore band announced a March US tour with Oceanator. The jaunt kicks off on March 18th in Pittsburgh, and you can get tickets here. Get War on Women Tickets Here
Toyah and Robert Fripp are back in the kitchen with a new episode of Sunday Lunch. This week they're taking on X-Ray Spex 's skronky punk classic "Oh Bondage! Up Yours!" and of course they are decked out in bondage gear, with Robert in gimp mode. This week's sign: "Fripp's Ma Sub." Watch that and live footage of X-Ray Spex's original below.