#james-ferraro

#james-ferraro

Jarre stated that while the existing creative industries were freaking out over the technology, artists would use AI to create the cinema of tomorrow, the hip-hop of tomorrow, the techno of tomorrow, the rock'n'roll of tomorrow.

Vienna Teng blends genres like chamber folk, jazz, and electro-pop while homaging her heroes, including Paul Simon and Tori Amos.

The event is set for Saturday, September 26 at Brooklyn's Under the K Bridge Park, which also hosts the annual Pride festival LadyLand.

Korneffel develops a palette for each painting based on research and intuition, paying particular attention to the paint's viscosity and its capacity for making distinct kinds of marks.

Axel Willner's new album 'Now You Exist' features five songs of meditative ambient techno and drone, showcasing his signature sound and artistic evolution.

In what became a standard studio visit, I discovered a humble and thoughtful artist who refuses to use her celebrity for easy career gains.

Oneohtrix Point Never has released a two-track single, led by an original called 'Dim Stars.' The B-side, 'For Residue (Extended),' is a meditative version of the Tranquilizer track.

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

No Fun Fest returns to NYC for the first time since 2009 as No Fun New Perspectives, a three-day event featuring avant-garde and improvisational music.

Drummers' timekeeping is fluid; even at its most rocksteady, it's enlivened by tiny, imperceptible pauses and hiccups. Sequencers and drum machines, on the other hand, march in lockstep.

The opener "Not Not Not" is almost goofy, its chaotic melodies constantly dancing around each other in a perpetually disorienting way. It lurches forward asymmetrically, grooving like a flat tire.

Her slowly shifting synthesizer compositions and quiet, meditative pieces for acoustic instruments continue to inspire a deep immersion in their audiences, and her recordings and writings have influenced multiple generations of musicians worldwide.

Tim Zha is looking for the soul in the machine. While some might hear Auto-Tune as masking a singer's humanity, the London-based artist filters his vocals to highlight technology's inseparability with our notions of self. This is ground well-trodden by Afrofuturist techno pioneers, Atlanta trappers, and PC Music hyperpoppers; for Zha, Auto-Tune represents what he calls the "coincidence of human subjectivity and the networked machine system."

"Many found the music offensive, the dancing objectionable, and the popularity of both with young people verging on a mental health crisis." So writes music historian Susan C. Cook about ragtime, the heavily syncopated ancestor of jazz that arose in the late 1800s. Like all things, ragtime's subversiveness faded over time, and, a century later, the works of Scott Joplin and other practitioners had been relegated to carnivals and fairs, their jaunty piano melodies now evoking quaint notions of old-timey fun.

I connected a lot with his music and I had no idea that years later we would be collaborating! It was a total surprise that we started chatting on the internet about collaborating! We bounced ideas back and forth, all starting with a series of guitar solo stuff that Bill sent me.

Intense listening capabilities from these exquisite players which required, more than anything else, a great deal of trust. They posited about thematic structures, which somehow got agreed upon, live in the moment through a collective groupthink. Right there on stage. No words spoken, just an exchange of bizarrely intense looks. Ranging from 'we're almost there' to 'don't you dare.' That's trust, people.