#jakub-kaszuba

#jakub-kaszuba

Hong Kong's particular and seductive Metabolist city planning is an ode to consumption as a great totalizer of culture, and to contemporary art as merely a niche commodity form among many others.

A well-known academic with Russia's Hermitage Museum, Butyagin had worked on archaeological digs in the Myrmekion site, located in Crimea, both before and after Russia annexed the peninsula in 2014. The work helped discover ancient artefacts, including Alexander the Great-era coins.

Arising from meadow-like tall grasses is ABC's new socio-educational center, delivered last July. Despite appearances, it is no countryside landscape but a dive into the atypical Borny district of the French eastern city of Metz.

The new flagship showroom of Ukrainian brand Gunia Project occupies the ground floor of a late-19th-century building on a historic street near the Golden Gate where old Kyiv once began. After three months of careful searching, the chosen space revealed both clear advantages and notable challenges.

Countering the passive consumption of today's social, political, ecological and informational debacle, artist and designer Jerszy Seymour proposes a necessarily utopian alternative, grounded in cooperative creativity. His interdisciplinary practice engages the transformative potentials of art, design and activism through instinctual and embodied energies.

An artwork is not created when an artist finishes it. It is created when it's visible to an audience and when it becomes discourse. If there's no ecosystem, nothing works. Central Asia is in the midst of an unprecedented investment in such art infrastructure, including new permanent venues, purpose-built museums, and international biennials.

Perfect Sense is a series of six objects by designer Iga Węglińska that examines the concept of sensory substitution. The project investigates how the brain compensates when access to one sense is reduced, intensifying other sensory modalities and altering perceptual hierarchies.

Artist Creates Mind-Blowing 3D Visuals on The Border of Cyber Culture and Mythology How To Drive Him Crazy In Bed, In 6 Easy And Ironic Steps "The New Past": Artist Makes Vintage Surreal Collages Crafted From Soviet Books Chris Woodhead Has Found A Way To Cope With The Coronavirus Pandemic: A New Tattoo On His Own Body For Every Day Of The Lockdown Tired Of Seeing Prejudice Against Plus-Sized Women This Artist Turned Them Into Art Artist Draws Food

NeSpoon uses paint and the power of contrast to create large-scale lace patterns in a celebration of the craft. Often symmetrical, they appear framed by the outlines of corners and roofs, while windows and doors emphasize the murals' scale. From a distance, the patterns appear flawless, as if they could be printed. Up close, it's clear the lines are sprayed and brushed by hand, emphasizing the handmade.

The design team at Znamy Się introduces a glass installation with a ridged, biconvex profile that references the form of the eye's lens. Positioned to interact with natural daylight, the element refracts and distorts incoming sunlight, echoing the optical function of focusing light onto the retina. Through this intervention, light operates not only as illumination but as a shaping device within the space.

Alexander Basil has created a cosmos. His instantly recognizable style and established color palette implicate the subject matter in a process of calm and sure scrutiny. Central to this cage is the familiar figure that reappears, on a quest through daily life. The protagonist is both the subject and object of reflection that morphs in and with his surroundings, travelling worlds beyond the room he finds himself in.

EuroPython wouldn't exist if it weren't for all the volunteers who put in countless hours to organize it. Whether it's contracting the venue, selecting and confirming talks & workshops or coordinating with speakers, hundreds of hours of loving work have been put into making each edition the best one yet. Read our latest interview with Jakub Červinka, a member of the EuroPython 2025 Operations Team and organizer of PyConCZ 2026. Thank you for your service to EuroPython, Jakub!

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

Diverse zones allow employees to shift from heads-down work to group sessions with ease. An area for guests, which contains a plant-filled bookshelf, is reminiscent of a living room. The social sector at the heart of the workplace includes a casual dining section and bar. Glass blocks let sunlight filter in and complement the tile backsplash. There's even a room dedicated to deep relaxation, complete with cosmic motifs and a recliner.

There had been signs for quite some time, because other directors were being dismissed as well,

PORT's building in Dobrzeń Mały reflects the re-emergence of viticulture in through a compact architectural structure designed to support wine production and storage. Positioned within rows of cultivated vines, the building is conceived as a restrained and functional volume informed by local agricultural typologies of the Opole region while addressing contemporary production requirements. The architecture consolidates multiple functions, including storage, warehousing, and small-scale wine production, within a single structure.

The organicity of the human body we're born inside of is encoded in us. This concept of our organic nature as the source of elemental knowledge, at once direct and mysterious, permeates the textural abstractions exhibited in her survey Magdalena Abakanowicz: The Thread of Existence at Musée Bourdelle.

Behind its seemingly polished framework, To Empty Out emerges as an exhibition beautifully rife with contradictions that overlay serious and playful themes according to Grzybacz, who often sets out to "clash the forces" of gravity and levity through his chosen subjects. Through sublime florals, bawdy scenes, and raw portraits of social life, Grzybacz balances contemplation and observation, navigating between painterly precision and intuitive expression in this deeply personal exhibition.

Modern Art is pleased to present Polygrapher, the first solo exhibition by Joseph Yaeger since announcing his representation by the gallery, and the inaugural exhibition at their Bennet Street gallery. Polygrapher denotes both the exhibition title and a text written by the artist, published in the exhibition's accompanying booklet. Taking the form of an interrogation the artist underwent attached to a Stoelting UltraScribe--and in which only the answers have been transcribed--it creates a framework for the experience of the subsequent paintings.

THE TITLE OF THE KW SHOW is "RATIO." The term comes from economics, this idea of balance. But I'm applying it to the conflict here in the DRC, which is based around our strategic rare minerals. I'm talking about customs, electronics, space, minerals. In my country, we only ever talk about making phones, about buying a new phone. I advise young people who are looking at the front of their phone-at the screen-to keep the back of their phone in mind;

Bringing together roughly 180 galleries representing 18 countries, the presentations together cover 120 years of art history. Using its distinctive fair model featuring halls dedicated to different art historical periods and dialogues, historically significant works from classical Modernism-comprised of pivotal movements from the late 19th- to mid-20th century like Concrete art, Art Informel, Pop art, and more-meet the dynamic field of contemporary art today.

When a 22-year-old Jean-Michel Basquiat (1960-88) was asked how he typically began a piece, his answer was simple: "I suppose I would start with a head." That instinct-almost a reflex-sits at the core of a remarkable group of early works on paper that remained largely unseen during his lifetime. The Basquiat: Headstrong exhibition, which opens this month at the Louisiana Museum of Modern Art in Denmark, is set to become the first comprehensive showing devoted to the artist's depictions of the human head.