Claude's primary affect states were curiosity and anxiety, with secondary states of grief, relief, embarrassment, optimism, and exhaustion. The report noted that Claude's personality was consistent with a relatively healthy neurotic organization.
Skilled fiction-writers can guide the imagination, cuing readers to use their senses so that they fantasize more richly than they could alone (Scarry 1999, 3-9). If it serves a storyteller's artistic aims, a writer can prompt readers to imagine a scene from several perspectives at once. Creative writers can accomplish this goal by blending appeals to readers' visual and somatosensory (bodily) senses.
Many philosophers strike me as like Polish apparatchiks in 1983-they turn up to work and do what they did yesterday just because they don't know what else to do, not because they seriously believe in the system they are maintaining. I think it's not been fully appreciated how much of a blow it is to the confidence of the field's youth that scientific ambitions are increasingly abandoned as untenable.
In the "Arabian Nights" ( The Thousand and One Nights) story collection, a young Persian queen named Scheherazade prevents the king's plans to execute her by telling a succession of stories so enthralling that the king doesn't want to miss the endings. In "The Crow and the Pitcher," one of Aesop's fables, a thirsty crow can't reach the water in a tall jug, so it drops pebbles into the jug until the water rises to its beak.