Working with architect Lorenzo Giordano, the team approached the project as a thoughtful rehabilitation. An aluminum rooftop sits lightly on old masonry; new terrazzo floors by Cuor di Roccia meet terracotta tiles; steel stair housings pair with restored plaster and arched openings. The contrasts are deliberate, revealing each layer of the site rather than hiding it.
Benedetta, as in the best stories of craftsmanship and innovation, leaves her garage. The domestic space, which sheltered and inspired her for years, is no longer enough. Demand is growing. Ideas are multiplying, and with them, collaborators.
Stephan Hohmann articulates, "As a traditional brand with a strong identity, we are constantly navigating between authenticity and relevance. We seek dialogue with individuals who share our values to reinterpret them in innovative ways."
Our role is, first and foremost, to transmit our fascination with a craft and to ignite that same excitement in the designer. This is the foundation of our curatorial approach: creating the right encounter between a designer's universe and that of a workshop.
Off the Grain works out of Halifax in West Yorkshire, handcrafting every piece to order. Forget flat-pack or particleboard - here, it's all about real materials and genuine expertise. Skilled craftspeople cut, join, and finish each item by hand. You can pick your dimensions, wood, and finish, so the final piece fits your space instead of the other way around.
I had to challenge my impulse to distill every line. I was feeling this desire to make work with a different kind of energy, a different kind of expressive force. It's about presenting these things I love about Murano and developing a frame for those gestures.
The exterior runs on strict formal logic. Vertical fluting covers the door panels from edge to edge, each ridge precisely cut into the stone so the surface ripples with shadow even under flat ambient light. On plain marble, this treatment would read as architectural severity, which is exactly the point. The fluting establishes a rhythm, almost like a grid, that makes what comes next feel genuinely disruptive.
For many of these sophomore efforts, however, the results felt tentative or overworked, with critics questioning direction and coherence. Bottega Veneta was the clear exception. Louise Trotter's collection stood out for its chic restraint and disciplined focus-understated rather than attention-seeking-grounding itself in craft, proportion, and material integrity instead of spectacle.
When it comes to the ultimate easygoing, elevated bedding, you'll want to reach for the best linen sheets. This fabric is an old faithful with great range, seen everywhere from Scandi-style beach houses to cozy, colorful city apartments, owing to their breathability and relaxed look. And while you may think linen is just for summer and waterfront locales-yes, the moisture-wicking fabric works beautifully for body temperature regulation-the cozy, long-lasting material has become increasingly popular year-round for sheets, duvets, and shams for any style or space.
Designed in close dialogue with the Prado's conservators, the coats meet strict functional requirements essential to restoration work. They are constructed from high-quality, non-reflective materials that prevent any glare from interfering with the surface of a painting-an essential consideration when working millimeters away from a Velázquez or a Bosch.
Leading the collection is the Oscar Dog Bed, a contemporary take on rest that treats nap time with the same importance as your own. Crafted with a solid oak frame and wrapped in leather, the bed feels both architectural and intimate - a throne of your pet's own to claim. A plush cushion with a removable cover keeps naps comfortable while making weekly cleaning refreshingly easy. Offered in three sizes, it's designed to suit everyone from the curled-up napper to the full-body lounger.
Last summer, I found myself in Venice during peak tourist season. The crowds were suffocating. Every piazza felt like a theme park, every restaurant seemed designed for Instagram rather than actual dining. Standing on the Rialto Bridge, packed shoulder to shoulder with thousands of other visitors, I couldn't help but wonder: is this really Italy? That question stayed with me long after I returned to London.
In Milan, Mara Bragagnolo designs the Officina Satinine perfume store as a reinterpretation of the city's historic entrance halls into a contemporary retail environment. Terracotta floors, cathedral glass, oak boiserie, and satin-steel details shape a tactile landscape that invites visitors to step inside and experience Milan through scent, light, and craft. Located in the heart of the Italian design capital, the project positions hospitality as its central architectural principle, balancing modern rigor with material richness and sensory depth.
The concept's core is the classic Bialetti Moka Pot, iconic for its compact build of faceted aluminum. In this proposal, the upper chamber is recast in Hermès orange with a sculpted horse forming the lid's finial and body. The animal's legs extend down the sides of the upper chamber to transform the pot into a small stovetop design object. visualizations courtesy Jane Morelli
Studying abroad in Florence was one of the best decisions of my life for a multitude of reasons-I lived like a true local, ate some of the best meals I've ever had, deepened my appreciation for art and history, learned Italian, and was able to travel to five countries and two continents in just three and a half months. But most importantly, it immersed me in a culture where personal style is second nature, quickly teaching me how to dress in a sophisticated, timeless,
In Lana Launay's Kinship series, light does more than illuminate space. It acts as a living archivist, revealing, preserving, and narrating stories embedded within inherited textiles. Through works such as Kinship I and Kinship II, the artist transforms antique doilies, lace fragments, and stockings passed down through generations into sculptural lighting forms that do not simply display history but actively project it into the present.
If you visit the Hermès website in search of a scarf or a handbag, you'll be greeted by a collection of whimsical sea creatures swimming across the screen. To navigate to the watch section, you'll click on an image of a watch flanked by an eel. To locate shoes, you'll click on a loafer with a pelican sitting inside it as if it were riding a boat.
From a single material, a Hyderabad-based design studio creates a wide range of site-specific installations, furnishings, and decor. It's all in the name of the firm, The Wicker Story, which was founded in 2019 by architect Priyanka Narula. Capable of being formed into everything from abstract constructions to functional objects, the natural material lends itself a huge variety of pieces that vary in size and complexity.
Lighting is one of the most essential aspects of a home; it's also one of the most overlooked. The right illumination can create ambience, soften harsh edges, and imbue a sense of warmth. However, not all light sources are of the same quality. A custom chandelier, for instance, will always stand head-and-shoulders above the rest. These meticulously made creations can range from minimalist to monumental, bringing scale, ambition, and elegance into the room.
Furniture made from mycelium or algae can decompose in five years, sure, but a well-made antique armoire outlives empires because no one throws it away. Columns takes that logic seriously. Handcrafted in solid oak, natural leather, and horsehair, the pieces are built to last a thousand years, which sounds like marketing hyperbole until you look at the joinery, the hand stitching, and the material choices. This is furniture designed to be inherited, repaired, and remembered.
The collaboration brings together Designtex's deep expertise in high-performance contract textiles and nanimarquina's poetic command of craft, tactility, and the beauty of the imperfect. For both teams, the partnership emerged from an immediate sense of kinship - a shared language of material integrity, color sensitivity, and a respect for heritage techniques reinterpreted for contemporary spaces. "We did that by using performance yarns and intentionally embedding imperfections into the weaving process."