Art UK has taken it as its mission to digitally unite one million artworks from 3,500 institutions. This free-to-all portal connects everyone with the UK's public art collections.
The growing Aadam Jacobs Collection is an internet treasure trove for music lovers, especially for fans of indie and punk rock during the 1980s through the early 2000s.
Librarians have been actively collaborating and talking about it almost every day, whether it's creating tutorials and digital learning objectives or thinking about the conversations to have with instructors. It can feel like cognitive dissonance to be actively working with AI on a regular basis and also saying we're constantly thinking about the harms and the biases.
Bregman claims, 'Today the whole of Europe risks turning into one big Venice, a beautiful open-air museum. A great destination for Chinese and American tourists. A place to admire what was once the centre of the world.' This statement encapsulates the concern that Europe is losing its cultural significance.
The contemporary technology museum has emerged as a performative participant in the systems it seeks to document. The architecture of these institutions has become increasingly fluid and bold, often mirroring the velocity and complexity of the systems it houses. They operate as mediators between the human, the ecological, and the technological realms, transforming from encyclopedic warehouses into active educational engines.
The Arctic World Archive (AWA) is a data storage unit where organisations and individuals can deposit records kept on specialist digitised film called Piql that lasts up to 2,000 years. On 27 February, Nigeria became the first African country to place archives at the facility 300 metres beneath a mountain where the cold, dark, dry conditions are perfect for preservation.
Organizations are drowning in dashboards, KPIs, performance metrics, behavioral traces, biometric indicators, predictive scores, engagement rates, and AI-generated forecasts. We have more data than we know what to do with. We pretend that the mere presence of data guarantees clarity. It does not. That's data hubris—the arrogant belief that because something can be measured, it can be mastered.
Within a couple of years of ChatGPT coming out, I had come to rely on the artificial-intelligence tool, for my work as a professor of plant sciences at the University of Cologne in Germany. Having signed up for OpenAI's subscription plan, ChatGPT Plus, I used it as an assistant every day - to write e-mails, draft course descriptions, structure grant applications, revise publications, prepare lectures, create exams and analyse student responses, and even as an interactive tool as part of my teaching.
those options range from "option 0", simply doing nothing and leaving UK copyright legislation in its currently uncertain state when it comes to the use of copyright materials to train AI models, through to options which would either require specific consent from rights holders in all cases ("option 1") or allow consent to be assumed by AI developers unless a rights holder objects, subject to developers being transparent about what materials have been used in training ("option 3").
When unmarked, masked federal agents grabbed an international student and forced her into an SUV on a public street in the spring of 2025, the United States entered into a new era of federal policing. At first, it was alarming - a move more commonly associated with authoritarian dictatorships than a democratically elected government with checks and balances. Now that this tactic, and others like it, have become routine, it is no longer enough to react in alarm.
Germany's Dresden State Art Collections (Staatliche Kunstsammlungen Dresden, or SKD) experienced a cyberattack on Jan. 21, according to a statement from The Saxon State Minister for Culture and Tourism. SKD is among the oldest museum networks in Europe and contains 15 museums. "Large parts" of the organization's digital infrastructure were impacted, as per the ministry's statement. However, its security system was not affected and remains fully functional, including physical and technical security.
"Link rot" is the unfortunate phenomenon whereby online articles become populated by broken links - URLs that once led to active pages but now result in error messages or dead ends. A Pew Research study from 2024 showed that nearly 40% of links that existed in 2013 were no longer active. Such "digital decay" occurs across a broad diversity of webpages, from news and government sites to Wikipedia pages to tweets.
If platforms and solutions are not developed and put in place, according to "Quantum Threat: The Trillion-Dollar Security Race is On," there will be no protection against the breaking of public-key encryption in use today. This is ominously referred to as "Q-day." Q-day is coming. The report maintains quantum computers will be able to "perform certain calculations, particularly those required to break today's complex encryption standards, at speeds that are orders of magnitude faster than any supercomputer imaginable."
Never feel that you are totally safe. In July 2025, one company learned the hard way after an AI coding assistant it dearly trusted from Replit ended up breaching a "code freeze" and implemented a command that ended up deleting its entire product database. This was a huge blow to the staff. It effectively meant that months of extremely hard work, comprising 1,200 executive records and 1,196 company records, ended up going away.
As part of Wikipedia's 25th anniversary, parent company Wikimedia a slew of partnerships with AI-focused companies like Amazon, Meta, Perplexity, Microsoft and others. The deals are meant to alleviate some of the cost associated with AI chatbots accessing Wikipedia content in enormous volumes by giving the tech companies streamlined access. As noted by , the timeline on these deals is a little squirrely.
Recently, AI decided that a painting long thought to be a copy of Caravaggio's The Lute Player is actually by the master, while another version of the same subject, previously thought to be authentic, is not. Both conclusions were disputed by the former Metropolitan Museum of Art curator Keith Christiansen. A similar debate erupted in March 2025 when AI declared that portions of The Bath of Diana, also long believed to be a copy, could have been painted by Peter Paul Rubens.
In an open letter posted online, the White House says Tuesday is the deadline for eight Smithsonian Institution museums to submit documentation about current and upcoming exhibitions and programs. The letter says that federal funds for the Smithsonian's $1 billion budget depends on the institution fulfilling the terms of an executive order issued by President Trump last March, in which he stipulated the removal of "improper ideology" in the museums' offerings. The stakes for this deadline are potentially enormous.
