I see myself first and foremost as a weaver working at the intersection of craft and technology. As an Angeleno, I grew up learning how to weave in the Wixárika tradition of my matriarchal bloodline by watching my mother and my grandmother.
Now it's become very popular in the Taylor Swift way of pop singers writing about all of their publicly aired break-ups, which I don't find interesting at all. I think it's a little bit boring for me to write about myself. Even if I've had a really interesting day, I feel like I've already lived that, I don't need to go through it every time I sing this song.
Craft beer has always been about creativity and community, but when it teams up with rock music, it becomes something truly special. In this post, we'll explore some of the most iconic collaborations between craft breweries and legendary bands, highlighting how these unique brews reflect the spirit of rock culture. ## The Rise of Band-Inspired Brews As craft beer continues to dominate the beverage landscape, breweries are increasingly looking to popular culture for inspiration. Band-inspired beers have become a staple, and for good reason. They not only attract fans of the music but also tap into the stories, values, and identities that these bands represent.
With Portland sextet Abronia, you sort of have to listen past the spectacle. Forget about the overtly Jodorowsky-Morricone vibes, the tenor sax and the pedal steel guitar, the contralto vocals, the gigantic bass drum, the legend of co-founder Eric Crespo's desert vision. What's really going on here?
Maybe we ran into an old acquaintance at the supermarket and said "Let's catch up sometime" or told our friends we would "check out" the boring-sounding show they spent the past five minutes recommending? That's what country-music superstar Jelly Roll appeared to do after the Grammys last week when, in response to a question about the state of the country, he said he had "a lot to say"
R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.
Designed by Korean up-and-comer Woojin Yang, Everglow is a handheld mini-keyboard that fits into any bag. The "musical sketchbook" of sorts allows artists to quickly jot down ideas when they're not in front of their instruments or computers. The sleekly-designed device comes with a generative AI-based sound system that allows them to iterate and develop a song on the spot, not just transcribe the initial tune.
Jeff Hanna, Nitty Gritty Dirt Band founder and de facto leader, is tucked into a nondescript booth at El Palenque, a 30-years-plus local restaurant in a Nashville strip mall, talking about "Nashville Skyline," a pensive track from their EP, "Night After Night." The family-owned Mexican restaurant is the kind of place he's gravitated toward since starting a jug band with friends in Long Beach before migrating to Los Angeles' folk/rock scene.
The country music superstar who recently ranked in the Top 20 of Pollstar's Artists of the Millennium List (which is based on ticket sales) is bringing his Word on the Street Tour to the Bay Area. Bryan performs Aug. 14 at Shoreline Amphitheatre. Tickets go on sale to the general public at 10 a.m. Jan. 30, lukebryan.com. There is a Luke Bryan fan club member presale running 8 a.m. Jan. 27 to 5 p.m. Jan. 29, lukebryan.com.
Musician and visual artist Dan Reeder is one of the longest signees to Oh Boy Records (which John Prine signed him to), and more recently artists like boygenius (who covered his song "Stay Down, Man"), Jeff Tweedy and Wilco, and Joshua Ray Walker have revealed themselves as fans; he also performed during the first ever Newport Folk Festival edition of Jack Antonoff's Ally Coalition Talent Show last year, where he was joined onstage by Waxahatchee, Weyes Blood, and Bleachers.
January is the month where music is moving underneath the surface, feeling out the venues, plotting and planning for those great days under the sun, at a festival. If you are a globe-trotting DJ or band, January is the month you're finishing up those FaceTime calls with managers and bookers, and plotting out which month you'll be on the road playing the Empty Bottle in Chicago, the Iron Horse in Northampton, MA, or the Continental Club in Austin, TX.