Overlooked No More: Gwendolyn B. Bennett, Harlem Renaissance Star Plagued by Misfortune
Gwendolyn Bennett's captivating poetry marked her as a pivotal figure in the Harlem Renaissance, overshadowing even well-known contemporaries at a significant event.
Laura Wheeler Waring's 'Girl in Pink Dress' exemplifies confidence and celebration of identity within the context of the Harlem Renaissance.
Black artists and the making of transatlantic modernism
The 1969 exhibition "Harlem on My Mind" was a flawed attempt at bridging racial divides, lacking Black artists' works and even featuring a controversial essay by a student.
The Met's recent exhibition "The Harlem Renaissance and Transatlantic Modernism" finally showcases Black art from the 1920s and 1930s, sourced from historically Black institutions.
Girl, Uninterrupted | Defector
Laura Wheeler Waring's 'Girl in Pink Dress' exemplifies confidence and celebration of identity within the context of the Harlem Renaissance.
Black artists and the making of transatlantic modernism
The 1969 exhibition "Harlem on My Mind" was a flawed attempt at bridging racial divides, lacking Black artists' works and even featuring a controversial essay by a student.
The Met's recent exhibition "The Harlem Renaissance and Transatlantic Modernism" finally showcases Black art from the 1920s and 1930s, sourced from historically Black institutions.
The Cosmopolitan Modernism of the Harlem Renaissance
The exhibition 'Harlem on My Mind: Cultural Capital of Black America, 1900-1968' at the Metropolitan Museum of Art in 1969, surprisingly lacked any fine art by Black artists.
The Met Aims to Get Harlem Right, the Second Time Around
The first exhibition dedicated to African American culture at the Metropolitan Museum lacked art, leading to pushback and protests by the Black Emergency Cultural Coalition.
The Harlem Renaissance and Transatlantic Modernism exhibition at the Met showcases over 160 paintings, sculptures, and photographs, marking a significant shift towards inclusion and recognition of Black art history.
The Cosmopolitan Modernism of the Harlem Renaissance
The exhibition 'Harlem on My Mind: Cultural Capital of Black America, 1900-1968' at the Metropolitan Museum of Art in 1969, surprisingly lacked any fine art by Black artists.
The Met Aims to Get Harlem Right, the Second Time Around
The first exhibition dedicated to African American culture at the Metropolitan Museum lacked art, leading to pushback and protests by the Black Emergency Cultural Coalition.
The Harlem Renaissance and Transatlantic Modernism exhibition at the Met showcases over 160 paintings, sculptures, and photographs, marking a significant shift towards inclusion and recognition of Black art history.