The first-ever exhibition devoted to the seascapes of French painter Georges Seurat brings together the largest group of these works ever assembled, 26 in total, offering a detailed look at a significant part of Seurat's work.
It's not a house of outstanding art, being a self-taught carver whose skills evidently advanced over the years, as you can see the evolution from fairly rough carving on the stairs to the very skilled work in the living room. He also created the paintings on the walls - talented chap - but never finished the carving in the living room, as his time finally ran out.
After a multiyear renovation of the Frick mansion that involved moving its magnificent collection up to the Met Breuer Building on Madison Avenue, the collection has returned to its magnificent home. Order is restored to the universe!
The corrective fluid analysed using light infrared photography revealed a mixture of huntite and calcite, while images made using a 3D digital microscope show that there also are flecks of yellow orpiment, probably to make it blend in better with the fresh papyrus, which would have originally been pale cream in colour.
More than 100 art works have been scanned in ultra-high resolution with portable laser scanners that could image objects that are unmoveable and could not be scanned by traditional machines. That data combined with photogrammetry techniques that puzzle together thousands of photographs to create a photorealistic composite.
Tate Modern museum in London announced its slate of 2027 exhibitions, including an opera-inspired installation by David Hockney in the revered Turbine Hall marking the artist's 90th birthday, Algerian artist Baya's debut U.K. solo show, and the first-ever exhibition devoted entirely to French impressionist Claude Monet since the Tate Modern opened 26 years ago.
In 2025 the Prado, which is home to such masterpieces as Velazquez's Las Meninas and Hieronymus Bosch's The Garden of Earthly Delights, was visited by 3,513,402 people, an increase of more than 56,000 from the previous year. Visitor numbers have risen by more than 816,000 over the past decade. While some museum bosses would be toasting such a success, the Prado's director, Miguel Falomir, is treating it with caution. The Prado doesn't need a single visitor more, he told a press conference on Wednesday.
The Oxford Artisan Distillery (TOAD) produces its whiskey, gin, vodka and liqueur from heritage wheat and rye varieties rediscovered in the thatch of medieval roofs. It's an example of the extraordinary lengths the distillers go here to create their unique flavours while building a regenerative farming system along the way. Tour the distillery to find out all about the processes involved,
In establishing the fair, a foundation (stichting in Dutch) seemed the most fitting legal entity for the purpose of creating an event 'run by dealers, for dealers... so that nobody had an advantage over anybody else.' That Tefaf operates as a not-for-profit differentiates it from other major art fair brands. There are no shareholders demanding a return, no owners to primp the thing for sale.
Fontana is a rare example of a woman Old Master, one of only a few who managed to attain career success on her own and was the first woman elected to the Academy of Saint Luke in Rome. This painting is one of the most ambitious from her early career. Reflecting visual references to Michelangelo-a departure from her usual reference to Correggio and Raphael-the vibrant hues and dramatic composition reflect prevailing Florentine trends of the late 16th century.
Featuring more than 70 works by a diverse array of artists, including June Clark, Jasper Johns, Faith Ringgold, Robert Rauschenberg, Shepard Fairey, David Hammons, Julie Mehretu, Dread Scott, and Hank Willis Thomas, For Which It Stands... challenges viewers to consider who the American flag truly represents, and whether justice is available to all. On view in Fairfield, Connecticut, from January 23 through July 25, the exhibition opens with Childe Hassam's "Italian Day, May 1918" - lent by Art Bridges - and concludes with a textile sculpture newly commissioned from Maria de Los Angeles. Emma Amos, Eric Fischl, Jane Hammond, and Glenn Ligon are among the many other artists whose work is represented.
'trace] the evolution of the imagery of affection, seduction, conversation, male camaraderie and the sociability of the café and theatre, as well as merry-making, flirtation, courtship and child-rearing in Renoir's art'
The Courtauld has announced plans for two new contemporary art galleries and a reading room at London's Somerset House, supported by a £10m gift from the Blavatnik Family Foundation. The donation brings the Foundation's total support for the institution to £20m. The Blavatnik Contemporary Galleries are expected to open in 2029 as part of a wider campus redevelopment, costing £82m. This redevelopment will also involve the construction of a new Blavatnik Reading Room inside the Courtauld's remodelled library.
In 1835, a tortoiseshell cat measuring more than three feet long was enough to warrant a small advertisement in a British newspaper that as "the greatest curiosity ever shown to the public," it could be viewed at the Ship Tavern in London. Surely a pint of ale was the informal fee to view this extraordinary animal. It was during the 18th and 19th centuries in Europe that cats became increasingly recognized as worthy pets, beyond their role as mousers.
London's Mosaic Rooms is reopening on 18 February after a year-long refurbishment, with new facilities, a new charitable status and a new director. But the organisation's focus, says its director Pip Day, remains the same: art and culture from the Arab world and beyond. Since the Mosaic Rooms launched in 2008 it has been a consistent platform in the UK for major artists from the Arab region, such as Heba Y. Amin, Sandi Hilal and Alessandro Petti, and Mohammed Omar Khalil.
Our perceptions of Seurat have usually been shaped by several vast canvases of Parisians enjoying life - who can forget Bathing, Asnières? - and the radical technique of painting he pioneered - often known as `pointillism' or `Neo-Impressionism'. Following the Impressionists and fascinated by new theories on optics and colour, Seurat placed pure dots of colour beside each other directly onto the canvas, so they melded together in the viewer's eye rather than blending them on a palette.