#filmmakers-for-palestine

#filmmakers-for-palestine

On May 2, 2025, arts and cultural organizations across the country received notifications that grants and funding promised by the National Endowment for the Arts were being rescinded. This was part of a larger initiative by the Trump Administration to dismantle not just the NEA, but also other arts advocacy programs including the National Endowment for the Humanities and the Institute for Museum and Library Services.

"Whenever you manage, through cinema, to cast doubt on the assumed nature of things, you might be approaching something really interesting. And when you have done that once, there's no way back."

'It's the Easter Beagle, Charlie Brown!' is a great family movie that includes funny callbacks between Linus and Sally about the Great Pumpkin.

Cut & Paste Pictures is developing a feature-length documentary chronicling the lifelong friendship between Rise Against guitarist Zach Blair and wrestler Hassan 'MVP' Assad, who will also front an unscripted series about life after prison.

Campaigners believe Qesser Zuhrah was arrested due to an Instagram story that allegedly encouraged people to take direct action, highlighting concerns over freedom of expression.

Lapid's frenzied and disgusted vision emerges as he follows the fortunes of a young Tel Aviv couple—a jazz pianist known only as Y and a dancer named Yasmine. Their artistic background is overshadowed by their roles as sexy disco clowns at a big outdoor party for the rich and politically connected.

In the film, Bronz's character is commissioned to compose a new national anthem for post-Oct. 7 Israel, and writes a warmongering ballad about destroying Gaza and 'love sanctified in blood.'

"In 'break bad (freddy flexing)' (2021), a slim man's attempt to exert physical strength instead displays his fragility. A gentleness in his eyes suggests truer strength beneath the performance."

Emma drops an absolute bombshell in the midst of a game where they're asked to reveal the worst thing they've ever done. Soon everyone around her starts to question how well they really know her.

There is a scene in "Morgenkreis | Morning Circle" (2025), a 16-mm film by Berlin-based Palestinian artist Basma al-Sharif, that unfolds at the threshold of a daycare center. A young boy clings to his father, his fists locked into the fabric of his coat, his arms wrapped tightly around him. The father gently tries to pry himself free while a daycare worker crouches nearby, attempting to distract the child and coax him inside. It is an ordinary moment, one that anyone who has ever been a child - or cared for one - recognizes instantly, as well as the gut-wrenching feeling it provokes.

The Venice Biennale's complicity with the attempted destruction of Palestinian life must end. No artist or cultural worker should be asked to share a platform with this genocidal state.

De Pue's Mariinka strikes a rare balance between artfulness and urgency, capturing the lives of orphaned children affected by the Russo-Ukrainian war.

Ilker Catak's Yellow Letters and Emin Alper's Salvation, two politically outspoken films that examine Turkish president Recep Tayyip Erdogan's autocratic regime, shared the top prizes at this year's Berlinale: the Golden Bear for Catak and Silver for Alper. These striking works share a lot more. Both titles are co-produced by Liman, an indie film company from Turkey.

With deep regret, I must say that I will not be attending the Berlinale,

A Chadian chemist and a British activist, both born in Jerusalem, vow to fight for Palestine by any means necessary even if it costs them death. Two men devoted their lives to the Palestinian resistance but paid the ultimate price. Bashir Jibril, born in Jerusalem to a Chadian family, joined the Popular Front for the Liberation of Palestine (PFLP) after the 1967 Arab-Israeli war. He trained military cadres and took part in the 1970 airliner hijackings, before being killed in a car bomb explosion in Athens in 1978.

The film tells the true story of Hind, who was killed by Israeli forces in 2024 as she and her family tried to evacuate Gaza City, blending recordings of real emergency calls with dramatic re-enactments. It draws on harrowing audio from Hind Rajab's call to the Palestine Red Crescent Society, in which rescuers tried to reassure her as she lay trapped in a bullet-ridden car with the bodies of her aunt, uncle and three cousins, who had all been killed by Israeli fire.

The Voice of Hind Rajab has been nominated for an Academy Award for best international feature, a recognition for the Tunisian film that features the voice of a 5-year-old girl whose phone call begging for help was heard across the world before she was killed by Israeli forces in Gaza. The film is a mix of a documentary and drama that weaves in the recordings of Hind's phone call along with scripted, dramatized scenes of Palestinian Red Crescent dispatchers as they agonized over trying to save her. It was nominated alongside four other films.