The art of anticipation At first glance, Drew's posters look realistic, almost photographic. But look again. The light gives them away; that soft glow around Harrison Ford's fedora in The Last Crusade, or the angelic rays of light behind Michael J Fox in Back to the Future. It's not normal light; it's the glow of promise, of something extraordinary just about to happen.
Our love of her films is pretty much the only cultural taste I inherited from her. I was about 10 when she first let me watch a VHS off the grown-up shelf. She picked Baby Boom. I might wonder what the appeal of a film about a high-flying 80s businesswoman inheriting a baby was to a kid were it not so plainly funny, spanning Keaton's talents from screwball to synonymous with comfort, and a curious lens on adult life.