One technique powerfully employed in the film has the incongruous name of "Mickey Mousing." Named after the manner in which classic cartoons were scored in tight synchrony with the movements of their characters, it had fallen into disuse by the nineteen-seventies, when a subtler cinematic style prevailed.
"Cristobal Tapia de Veer's score in Smile contrasts disorienting soundscapes with moments of intense musicality, effectively enhancing the film's horror elements through innovative compositions."