The project reconsiders the building as a layered architectural structure shaped by successive transformations, reorganizing these historical strata through a spatial strategy that prioritizes clarity, continuity, and flexibility.
Federico Seneca (18911976) emerged as one of the most influential graphic designers of the early 20th century, known for fusing avantgarde artistry with commercial clarity. As art director for Perugina and later Buitoni, he reshaped Italian advertising by replacing literal imagery with bold, metaphordriven visuals. His most iconic contribution was the Baci chocolate identity, inspired by Hayez's *The Kiss*, featuring two lovers silhouetted against deep midnight blue. Drawing heavily from Futurism and Cubism, his work embraced geometric forms, dramatic contrasts,
"Piano piano" is an old Italian saying that sounds nonsensical, but is actually full of wisdom, especially if you, like me, are finding yourself wishing away these frigid winter days and hoping spring and summer gets here fast. These days, I've found myself rushing from one thing to the next, frustrated at the smallest things, from post office lines to just missing my train. And I'm ready to make a change.
A gloriously clear day cold enough to warrant a coat and gloves yet brilliantly sunny-light shimmering on the water like Christmas baubles and a sky so blue that the tides appeared joyously high. Rainbows entered my suite at the exquisite Venice Venice Hotel; a snowy white heron perched itself on the railing of the balcony, seemingly as enchanted by the activity on the canals as we were; a pianist dressed in a long printed cape that swept the floor played into the night.
About ten years ago researchers across a wide range of disciplines, from forensic science and genetics to art history, got together with the goal of finding the Renaissance artist's DNA. Da Vinci had no children, and his remains were disturbed during the French Revolution. The hope is that uncovering his DNA could open the door to a number of discoveries, including new tools for authenticating artwork and potential clues about da Vinci's uncanny way of seeing the world.
Pallabazzer recommends seeing the historic center of Florence at different times of the day. In the early morning, you'll get to experience it "without noise and the pressing pace of crowds." Midday brings droves of visitors, but the destination is "bathed in sunshine." In the evening, "the lights of the street lamps stretch out over the Lungarni [the streets along the Arno River], creating a truly magical effect."
In 2025 the Prado, which is home to such masterpieces as Velazquez's Las Meninas and Hieronymus Bosch's The Garden of Earthly Delights, was visited by 3,513,402 people, an increase of more than 56,000 from the previous year. Visitor numbers have risen by more than 816,000 over the past decade. While some museum bosses would be toasting such a success, the Prado's director, Miguel Falomir, is treating it with caution. The Prado doesn't need a single visitor more, he told a press conference on Wednesday.
The longer we wait, the more difficult it will become to remedy the damage. Since 2019, state funding had all but dried up, forcing the foundation to auction works to raise funds to continue the restoration of both the iconic building and its many site-specific works.
This year's theme, 'New Directions,' ties the fair to the legacy of John Coltrane and Miles Davis, treating jazz as a working method rather than a metaphor. It's a balance of structure and freedom, shaped by listening to galleries, to collectors, and to the wider moment we're living through. The move to the South Wing at Allianz MiCo reinforces this approach with a more compact, layered layout that sparks encounters across works, media, and generations,
levelled much of the city. Along with homes, churches and monuments, invaluable historical sources and documents were lost, including works by Messina's greatest son, Antonello da Messina, the artist widely credited with transforming the course of Renaissance art. In the space of half a minute, a city's memory and that of one of the greatest painters in history was buried alongside its people.
Nieves González recomposes the story of Mary Magdalene through the symbols that always surrounded her: hair, chalice, cave, blood. She thus recovers the disciple, the messenger, the spiritual force that history preferred to silence.Sacred Hair / Capelli Sacri is conceived as an altarpiece where the classical and the contemporary dialogue to reveal the hidden. Structured from pictorial tradition, González remakes established canons from her perspective as a contemporary woman: