#entertainment-focused-design

#entertainment-focused-design

When performers fall out of sync, even the best improv starts to break down. Innovation is a team sport, and skill alone won't yield favourable results.

I'm heavily inspired by radical print design, particularly of the 70s after the birth of the Xerox, such as Shrew and OZ Magazine as well as protest banners and zines. I love the fast-paced, imperfect, tactile feeling and I try to emulate this through physically editing my work.

Meta's new live chats feature enables real-time conversations about live events within Threads communities, allowing users to post photos, videos, and text messages.

Nikita Bier described the custom timelines feature as 'one of the biggest changes to X' and a 'huge undertaking' that required 'many months' of development.

Trust begins with realness. When lawyers share their story and the reason behind their work, clients see themselves reflected in that narrative. Clients are not simply hiring legal skill; they are looking for alignment, empathy, and shared values. Storytelling bridges that gap.

The CIOs I most want to work with are the ones who haven't abandoned either role. They're genuinely curious about how the infrastructure works, not just what it delivers.

Today's prominent founders and investors communicate in a visual grammar that shares a great deal with the aesthetic languages of Italian Futurism, primarily, but also of 'return to order' neoclassicism, World War II-era propaganda, and modernist museum branding.

Aesthetic inspiration is social and collective, but aesthetic results are deeply personal. What works for one face, skin type, or bone structure won't always work for another.

Daniele Castellano's vivid drawings are many things: spooky, hyper detailed, fantastical and never boring. With imagery based on the mysteries of memory, psychology and bodily sensations, Daniele frequently engages with mythology.

'Give them a smile, you know, something that can also be a deeper level of understanding,' Sara Ricciardi tells designboom, framing the installation as an immediate emotional trigger before it unfolds into something more layered.

In a world where audiences are flooded with content, cutting through the noise requires more than visibility. Organizations increasingly invest in storytelling and narrative strategists to shape everything from brand voice to internal alignment.

The design elements I would use for my maximalist work takes inspiration from tarpaulin advertisements and posters you would see across Metro Manila. The visual character of these advertisements are really kitsch.

NUMA introduces a visual layer that operates independently of the existing structure, allowing it to be implemented across different elevator types without structural intervention.

In 1962, the architect Buckminster Fuller envisioned a floating city that would free humanity from its dependence on the Earth. The speculative project consisted of enormous geodesic spheres that would naturally levitate in air warmed by the sun and be anchored to mountaintops.