Atkinson, who sees her fiction steeped in English children's literature rather than magical realism, embraces her unique storytelling while facing misconceptions about her work.
Two of the dramatist's most queerly themed plays made it into print that year: Edward II, about the medieval king's passionate desire for his favourite Piers Gaveston; and Dido, Queen of Carthage, a dramatisation of the Aeneid that opened with a remarkable scene of erotic foreplay between Jupiter and his sexual plaything, Ganymede.