#endorphin-film

#endorphin-film

Publicly traded companies are by legal definition and requirement completely amoral. They want only one thing, to raise their stock price, and the public good and common decency are just obstacles to be overcome or spun in that quest.

"There's no case where those things aren't critical, but with a project like this, there is no 'fix it in post' because it just can't work like that. This is a show that has about 3,000 VFX shots, and we were working with up to five different VFX vendors at times."

On May 2, 2025, arts and cultural organizations across the country received notifications that grants and funding promised by the National Endowment for the Arts were being rescinded. This was part of a larger initiative by the Trump Administration to dismantle not just the NEA, but also other arts advocacy programs including the National Endowment for the Humanities and the Institute for Museum and Library Services.

Kawamura found ways to give Exit 8 an emotional center that the game lacked while still capturing the uncanny experience of walking down the seemingly endless tiled hallway.

Set on the blossom tree-lined fringes of Hyde Park in London, Herbert Wilcox's black-and-white rom-com blows in like a fresh spring breeze. The film charts the will-they-won't-they romance between Richard (Michael Wilding), a wealthy lord masquerading as a butler, and Judy (Anna Neagle), the niece of the family who employs him.

There is no limit to the type of trauma or memories that we can treat. It works just the same," Brunet said. It stood to reason that the drug could speed along recovery from other painful experiences, too.

Beauty, it turns out, is capable of launching not just an armada of ships, but a cascade of the same feel-good chemicals you get from being in love, eating chocolate, exercising, and having orgasms- dopamine, endorphins, serotonin, oxytocin. It also lowers stress, blood pressure, and heart rate.

I remember seeing it in drama school. I remember being so profoundly moved by it. I remember being so frightened by the performances in terms of seeing both sides to the thing that I think for most of us is, the most alive thing in our life, which is these, like, romantic relationships and the kind of inception of those things and the death of those things.

Wooden spoons as microphones, siblings spinning in socks across the floor, a mother laughing as Whitney Houston's "I Wanna Dance With Somebody" fills the room for the third time in a row-this is love. Long before children understand romance, they learn connection this way, through synchronized movement, shared joy, and the safety of familiar songs. Research on rhythm and social bonding suggests that moving in time together can regulate the nervous system and strengthen feelings of connection.

The first thing you notice about undertone is how quiet it is; not just in its audio mix, but in how it's shot - primarily steady wide shots that slowly pan across empty rooms, allowing your eyes to frantically scan for something amiss. It's an understated form of filmmaking that allows for the movie's scares to hit all that much harder.

Saad (Mehdi Meskar) is a young Moroccan exile in Quebec who will do anything to save Reza (Aron Archer), his Iranian refugee lover who faces being sent back to his home country. In a desperate move, Saad sets out to seduce a high-ranking spokesperson (played by Alexandre Landry) from the ministry of immigration in a risky gambit that sets off a fateful chain of events.

Filmmaker Simplice Ganou, from Burkina Faso, spends his time documenting people and relationships, but when he travels to Winterthur, Switzerland, he faces a new challenge: nobody wants to talk to him.

10 Cloverfield Lane Mary Elizabeth Winstead, John Goodman and John Gallagher Jr are locked in an underground bunker for the majority of this left-field sequel to Cloverfield, with thrilling results. In the film's final throes, Winstead's character exits the bunker, and finds that her captor was telling the truth about an alien invasion above - a twist that completely and ruinously dissipates the hard-earned tension that came before.

A quarter-century later, it's safe to say that those days have come to an end. Not only does the streaming-only Netflix of the twenty-twenties no longer transmit movies on DVD through the mail (a service its younger users have trouble even imagining), it ranks approximately nowhere as a preferred cinephile destination. That has to do with a selection much diminished since the DVD days

A fatally overdosed mother called Jacey is unceremoniously bundled into a trunk at the start of this southern US-set drama; the uncredited actor who plays her should probably have a word with her agent, as the role is surely in contention for a world record as the least likely to boost your career. Jacey is just one of the drug casualties littering director Dan Kay's underpowered film about the US's super-strength opioid crisis, as her two bereaved daughters desperately tread water in the aftermath.

Director Adam Meeks came across a rare piece of good news in the hellscape that is the opioid epidemic: the Ohio drug courts that help to rehabilitate addicts through a system of non-judgmental support and a strict, yet not unforgiving, schedule. His feature debut Union County an extension of a 2020 short shows the positive outcome of treating addiction as a problem to be solved, rather than a lifestyle choice to be demonised.

Grainy footage, filmed with contraband cell phones, forms the backbone of The Alabama Solution, a 2025 Oscar-nominated documentary that exposes the horrifying realities of life inside Alabama's prisons. Throughout the film, shocking videos from incarcerated activists Raoul Poole, Robert Earl Council (who goes by the name Kinetik Justice), and Melvin Ray reveal how the Alabama Department of Corrections (the Alabama DOC) shields its prisons from outside scrutiny - and brutally retaliates against incarcerated people who try to make their conditions public.

It's the first rule of romcoms that opposites attract, and you can't imagine two more different lovers than Poinsettia (Lynn Redgrave), a spark plug of a dame convinced that she is in a relationship with the 19th-century composer Giacomo Puccini, and Fish (James Earl Jones), a gentle giant who spends his spare time wrestling a demon that only he can see.