Miller's camera is just as dynamic in 1979 as it is in 2015, weaving and tracking and hovering over the action in a way that makes you feel like you're watching from inside your own speeding deathtrap.
The physical clock that they were using was basically like a whiteboard." says Juan Noguera, Assistant Professor of Industrial Design... "they would unveil it by pulling this black cloth and it was just a wobbly setup."