#decay

#decay

In the case of the Hungarian filmmaker Béla Tarr, who has died after a long illness, at the age of seventy, I confess that I'd expected-without necessarily hoping for-a faint premonition, perhaps a grim tingle in our collective cinephile sixth sense. Tarr, unique among his European art-film contemporaries, cut an almost oracular figure. The greatest of the nine features he directed,

The exhibition gathers three strands - haircuts, still lifes, and a storefront - into a single season, a climate of attention for small, ordinary acts. In the haircut series, intimacy is staged at close range: a pair negotiating blades and trust, one seated in vulnerability, the other holding the shears. The vertical format elongates the encounter, turning an ordinary trim into something ritualistic, even a little dangerous. Flesh tones are chalky, almost earthen, as if the body were drawn from the ground.