Draiman expressed his feelings on a podcast, stating, 'I grew up on Pink Floyd. I loved Pink Floyd. It was such a massive betrayal, not just to me, but Jews everywhere when he went in the direction that he did.'
A drummer's playing is based on feel. That's all drumming is: feel. It's hard to define when you're playing with someone and it feels 'right,' or when you're playing with someone who feels 'really good,' and then you're playing with someone and it feels 'fucking amazing.'
"We chose Tiger Baby for the first single from our new record because it's kind of like the everything bagel of songs from the session. It's heavy and crazy and chaotic but also very catchy and hooky which is very much what the entire record sounds like all baked into one song."
Tone Freq Studios captures pristine acoustics and emphasizes analog warmth, creating a tactile space that values collective experiences over the convenience of digital recording methods.
With Portland sextet Abronia, you sort of have to listen past the spectacle. Forget about the overtly Jodorowsky-Morricone vibes, the tenor sax and the pedal steel guitar, the contralto vocals, the gigantic bass drum, the legend of co-founder Eric Crespo's desert vision. What's really going on here?
I connected a lot with his music and I had no idea that years later we would be collaborating! It was a total surprise that we started chatting on the internet about collaborating! We bounced ideas back and forth, all starting with a series of guitar solo stuff that Bill sent me.
Inner Magic is the duo of former Chromatics guitarist Adam Miller and former Smashing Pumpkins guitarist Jeff Schroeder. They met in 2024 and bonded over their love of '80s UK indie legends Felt, krautrock and the Vinnie Vincent Invasion, and then decided they should make music together.
When he's not making proggy folk as a solo artist, Richard Dawson gets his skronk on as part of proggy new-wave art-rock group Hen Ogledd. Despite my attempts to do so in the previous sentence, the band are hard to succinctly describe: they can pivot from warm synthpop to mossy faerie folk to baggy Manchester shuffle beats to dense prog and even flashes of hip hop. Hen Ogledd are weird, but also welcoming.