Anna Holmes defines 'hype aversion' as a reflex against being told what to like, suggesting that popularity can create pressure rather than signal quality. This feeling can lead to a deliberate choice to resist mainstream culture.
I would squirm in my chair as my new teacher worked their way through the class register, and my stomach would drop as they attempted to say my full name: Priti Ubhayakar.
Bregman claims, 'Today the whole of Europe risks turning into one big Venice, a beautiful open-air museum. A great destination for Chinese and American tourists. A place to admire what was once the centre of the world.' This statement encapsulates the concern that Europe is losing its cultural significance.
Travel broadens the mind thing has been knocking around since long before time immemorial, but I'm pretty sure for Seneca, among others, travel meant pottering about with great effort, getting to know other peoples, their ways of speech, habits, and foibles.
All of us live in an age where we're bombarded by social media and artificial intelligence - when striving to be your authentic self becomes an increasingly difficult task. Yet, even if it has somehow become a common goal, it is unclear how many of us can truly define the "authenticity" that we say we are pursuing.
Many colleges and universities have made cuts in these programs, often bolstering STEM programs at their expense. It's a situation that has sparked no small amount of impassioned editorials. The headline of a recent article at The Guardian by Alice Speri referenced an 'existential crisis at U.S. universities,' and Speri's reporting features numerous examples of undergraduate and graduate programs facing cuts or outright elimination.
Here dwells the indigenous Tzotzil community which has kept a pastoral way of life against the march of time. Apart from the odd forest ranger and passerby, Ruvalcaba's film focuses almost entirely on the Tzotzil women. Together, they tend herds of sheep which they still shear by hand, and use traditional tools for spinning yarns and natural dye for fabrics.
I recently gained a new obsession, and I'm ready to share it with the world: finding and analyzing rare vintage images. A picture speaks a thousand words, and these photographs tell us more about history than a textbook chapter ever could. So even if you think history is boring, I'm well-equipped to change your mind, and give you some delicious food for your brain to chew on today.
The US Supreme Court has struck down much of the Trump administration's tariffs on foreign goods, which have been a cornerstone of its trade and foreign policies. Also, Iran prepares for a possible US military strike. And, the International Energy Agency has removed climate change from its list of priorities for the next two years, following threats from the US
Like us, you may feel paralyzed in the face of the relentless images of violence we see every day. Suffering children, military occupations, the devastated neighborhoods, the cries of parents mourning their dead-these scenes haunt us. Whether it is happening in Palestine or Minneapolis, we are witnesses to suffering, and that witnessing takes a heavy toll. Clearly, the devastating situations in the West Bank and Gaza and in Minneapolis differ
The Irish government will give 2,000 artists unrestricted weekly stipends in a program officials described as a "recognition, at government level, of the important role of the arts in Irish society." After a successful three-year pilot, the Irish government made its basic income program for artists permanent. Similar pilots have been launched here in the United States, but they're supported primarily by the nonprofit sector.
We meet CultureSync Media founder Timmy Bankole, formerly of SCMP, discusses why cultural insight and audience understanding are fast becoming the most valuable currencies in modern advertising... Timmy Bankole has a wide range of experience across the ad tech spectrum, counting roles at Blis, PHD and South China Morning Post, and has recently founded agency CultureSync Media. In this Q&A, Timmy shares how agencies can move beyond generic targeting to uncover the deeper cultural codes shaping consumer behaviour.
Just before winter break, news broke that the University of North Carolina at Chapel Hill plans to close its centers for African, Asian, European, Middle Eastern, Latin American and Slavic, Eurasian and East European studies. Though UNC administrators said in a statement that decisions on closures are not finalized, they confirmed they are evaluating centers and institutes as part of a budget-cutting effort in response to state and federal funding changes.
His investigation began after identifying recurring giant T-shapes, three-level indents, and step pyramids carved into ancient stones worldwide. 'These specific symbols that are built in different size proportions, and the symbols are found in ancient stones around the world, are not supposed to exist; no cultures are supposed to have any cross-platform,' LaCroix explained. The symbols appear in locations ranging from Turkey's Van region to South America and Cambodia.
On May 16, 2026,Iris van Herpen: Sculpting the Senseswill make its North American debut at the museum, showcasing more than 140 haute couture creations alongside contemporary art from artists such as Philip Beesley, Rogan Brown, Casey Curran, Kim Keever, and Nick Knight, in addition to unique design and scientific artifacts. The much-anticipated exhibit, which will run through December 6, 2026, will explore how renowned Dutch fashion designer Iris van Herpen fuses various mediums of expression.
A large global study across 69 countries found something unexpected: the more individualistic a society is, the more similar people are in how they feel-and in how they want to feel. Across 59 out of 60 emotions, emotional experiences showed greater uniformity in individualistic cultures. This challenges the common assumption that collectivistic cultures are emotionally restrictive because they suppress individuality. In fact, emotional life in individualistic societies appears to be shaped by strong shared norms that dictate which emotions are acceptable, desirable, or problematic-especially regarding negative emotions.
Peter Drucker saw this symbiosis first. He realized that the new industrial order would depend on a worker who produced ideas instead of widgets. The knowledge worker became the engine of prosperity, and management became the social technology that synchronized millions of minds. The modern firm was as much an invention as the transistor it depended on. Three decades later, Tom Peters caught the next wave.
In case you didn't get the memo, everyone is feeling very Chinese these days. Across social media, people are proclaiming that "You met me at a very Chinese time of my life," while performing stereotypically Chinese-coded activities like eating dim sum or wearing the viral Adidas Chinese jacket. The trend blew up so much in recent weeks that celebrities like comedian Jimmy O Yang and influencer Hasan Piker even got in on it. It has now evolved into variations like " Chinamaxxing" (acting increasingly more Chinese) and " u will turn Chinese tomorrow " (a kind of affirmation or blessing).
I grew up in West Baltimore where I experienced homelessness for almost the entirety of high school. For me, philosophy emerged in situations of precarity and uncertainty. Those formative years, spent not so much in a single home as in a patchwork of many, shaped what are now some of my central philosophical concerns: belonging, exclusion, and the status of those at the margins of society, those at the threshold of belonging.
Tattoos and fermentation rarely appear in the same conversation, yet across the world, they share a quiet kinship. Both are practices of transformation, crafts that reshape raw material over time through care and relationships to the land, the spiritual, and the community. Tattooing inscribes identity and ancestry onto skin, while fermentation preserves, nourishes, and binds communities through shared taste and ritual. Both create change, brewing something more than themselves through embodied knowledge passed between generations.
In the autumn of 2022, Max and I walked up the iconic steps of the Metropolitan Museum of Art in New York City to visit Chroma: Ancient Sculpture in Color. As the young son of a professional classicist, and a burgeoning one himself, my museum partner already knew about the ancient history of painted statues when we began to explore the galleries. Max's knowledge seemed the exception rather than the rule.
