The creative output of that tribe was so immense, and their bohemian adventures so inspiring, that I wrote and published a historical novel, The Ashtrays Are Full and the Glasses Are Empty featuring many figures from the Lost Generation.
The show curtain, emblazoned with a stylized, vaudevillian flair, evokes not just the Jazz Age world of the musical but the idea of performance itself—a party that is also a show, populated by people who are always acting, even when they're unraveling.
Starting next month, the cost of renouncing your U.S. citizenship will go down dramatically - a boon for people already shouldering the burden of paying for a major overseas move. Anyone wishing to formally shed their American citizenship is required to obtain a form called a Certificate of Loss of Nationality, and right now it comes with a whopping $2,350 fee. In April, that fee will drop by 80% to $450.
Set during the Roaring Twenties, the show takes place at the Manhattan apartment of Queenie (Jasmine Amy Rogers), a vaudeville bombshell, and her man of the moment, the comedian Burrs (Jordan Donica). Guests include a former prizefighter, a pair of piano-playing twins, an "ambisextrous" playboy, a stage diva past her prime, and someone's kid sister from Poughkeepsie.
Prohibition was the nationwide ban on the sale, manufacturing, and transportation of alcohol in the United States from 1920 to 1933. During this period, gangsters and bootleggers produced illegal booze, smuggled it across state lines, and ran secret bars throughout the country. While some bars were raided by the authorities, others thrived as a result of deals with the police or extensive protective measures.
We might be exposed to more ads and commercials today than ever before in human history, but the idea of advertising itself is certainly not a new concept. According to Instapage, the first signs of advertisements actually appeared in ancient Egyptian steel carvings from 2000 BC. Meanwhile, the first printed ad was published in 1472, when William Caxton decided to advertise a book by posting flyers on church doors in England.
From brilliant new voices to seasoned icons, many of the past year's breakout works are by Black authors. In June, Great Black Hope, a coming-of-age story reckoning with privilege and belonging, made first-time author Rob Franklin a household name. And in July, Stephanie Wambugu's gorgeous debut novel Lonely Crowds, which explores the intimacy and frustration in the relationship between two lifelong friends, climbed bestseller lists.
Many editors languish in the margins of history, their contributions largely invisible despite how much they shape whom and how we read. But in recent years, amid a wave of books unearthing overlooked figures, biographers have turned their sights to pioneering book and magazine editors-including Malcolm Cowley of Viking, Judith Jones of Knopf, Bennett Cerf of Random House, and Katharine S. White of The New Yorker -anointing them as the unsung architects of the American literary canon.