#crystal-globe-winners

#crystal-globe-winners

Y&T, originally named Yesterday & Today, formed in 1972 and began as a cover band before transitioning to writing their own music by 1974.

I was supposed to host the awards this Saturday, a day of celebrating the hard work of artists in one of the strongest unions in the U.S. But could we really celebrate while the staff, who help support the union are asking to be heard of their needs? I'm honored to stand with them.

Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging. At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

Does the strength of relationship between marketer and agency correlate with more effective work? Using two unique and robust sets of data we have, for the first time, answered this question with an emphatic 'yes' The implications of our latest report are profound for marketers and their agencies, and arguably for any business relationship. Our analysis of winners of effectiveness awards over a 9-year period discovered that award-winning client and agency teams had better relationships than the average.

Hollywood woke up early on Thursday for one of its biggest days: the 2026 Academy Award nominations. At 5:30 a.m. local time, the names of those vying for an Oscar on March 15 were announced. Sinners, a bloody vampire horror drama set in the 1930s in the southern United States and directed by Ryan Coogler, has earned no fewer than 16 nominations, setting a new record as the most nominated film in the 98-year history of the Oscars.

an Act of Killing-style re-enactment of the 1919 conquest of the Adriatic city of what is now Rijeka by a rag-tag army assembled by the proto-fascist dandy-poet Gabriele D'Annunzio. It was precisely the kind of quirky cinematic gem that the European film awards should be there to champion: a film ignored by the main festivals, about an overlooked but relevant episode in history.

"For me the reward has been all of it. Just getting the script done was a type of reward, my crew together was a type of reward, getting everybody to come to New Orleans, getting to share the screenplay, I shared it with Rosemary like I always do, getting good feedback from her. And then showing the movie to audiences, which is the biggest reward I could ask for," Coogler said.