#cristina-banban

#cristina-banban

The album showcases an audacious blend of trap, rock, pop, and experimental elements, all infused with a refreshing emotional honesty.

"One must put himself in the period... crime had a certain familiarity from its repetition through time.... That's what they were like, unscrupulous. So was I. And since we are speaking about it, so was the Renaissance."

In Cabranes, Asturias, Atelier Poem has realized the Taller Agropoetico for Foresta Collective—a space that integrates agricultural practice with pedagogy.

We don't eat batteries. They take away the water; they take away life. This pronouncement, in Spanish, appears in a photograph that the artist Tomás Saraceno sent via WhatsApp last month from Salinas Grandes, a high-altitude salt flat in northern Argentina. There, in one of the world's largest lithium reserves, the artist is working alongside 11 Indigenous communities to build El Santuario del Agua (The Water Sanctuary), a monumental work about the global energy transition.

The 2026 Whitney Biennial opened at the beginning of the month, providing a snapshot of current trends and curatorial interests in the art world.

Jose Antonio Kast, a 60-year-old ultra Catholic whose father was a member of the Nazi party, has consistently blocked progressive bids for women's rights and equality across his three-decade career in politics. As a congressman, Kast voted against divorce when Chile became one of the last countries of the world to legalise it in 2004 and vehemently opposed the legalisation of abortion under limited exceptions when it was passed in 2017.

The board, which had echoes of Ireland's notorious Magdalene laundries, was overseen by Carmen Polo, the wife of the dictator Gen Francisco Franco. Originally founded in 1902 to stamp out sex work, in 1941, two years after the end of the Spanish civil war, its role was extended to clamp down on female behaviour that deviated from norms laid down by the Catholic church.

Founded in 2014 as a tongue-in-cheek alternative to the esteemed Whitney Biennial, the Every Woman Biennial has evolved into an intergenerational showcase that mixes emerging talent with established feminist art stars while maintaining the scrappy, activist energy that inspired it in the first place.

For the Escarrias-petite sisters of African descent born ten months apart in Cali, Colombia-commercial photography was in their family DNA. Their parents established a studio in their hometown that was overseen by their mother after their father's early demise. The siblings learned the family trade, and when they fled the country's civil war in 1958, they quickly reestablished the studio in Buenos Aires.

There's this push and pull between feeling unease and discomfort, the nature of the spaces, and why they feel uncomfortable. But there is also tenderness and warmth, people adapting to these spaces and finding ways to make them comfortable.

What began as a passion for collecting became a responsibility. She not only believes in the artistic genius of women, but she wants society in general to hold men and women artists in equal esteem-and to place the same monetary value on their work.

Over the past three years, several Latin American countries have witnessed the arrival of the Orb, a futuristic-looking spherical device used to read irises and capture biometric data. This striking technology, developed by World Foundation and created by Sam Altman, a leading figure in artificial intelligence and CEO of OpenAI, along with its operational partner, Tools for Humanity, has been installed in shopping malls, gas stations, and other locations in Colombia, Chile, and Brazil.

Ignacio Barreiro and his girlfriend, Guadalupe, an architect, bought this 710-square-foot apartment in Buenos Aires six months ago, it was 70 years old and "outdated, neutral, and lacking warmth and life." But the creative couple had imagination, and saw the potential in the small space. "We wanted our first home to reflect who we are and who we aspire to be," Ignacio begins. "Through thoughtful design choices, color, and light, we transformed it into a warm, vibrant, and personal space that truly feels like home."

As cultural institutions continue to proliferate worldwide in this digital era, the museum itself appears increasingly in need of redefinition. Rather than offering a single model or solution, Architecture for Culture: Rethinking Museums, written by architectural historian and curator Béatrice Grenier, argues for a more contextual and plural understanding of what a museum can be: an institution shaped by its environment, its public, and the specific cultural questions it seeks to address.

Going out and demonstrating is really important. But if you don't feel comfortable demonstrating, you can volunteer for organizations, you can donate to organizations, you can sign petitions, you can call your senator. There's no excuse not to be involved on some level.

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.

As an editor, you learn to pay attention to the nuances of language. How we phrase something can speak volumes about our perspectives. Some words are fine in one context, but in another they might be detrimental. "Victim" is an example - who wants "victimhood" to encompass their whole person? And possessives are a minefield of power relationships; for instance, a person experiencing mistreatment at the hands of a partner should be defined by neither the treatment nor the tormenter

As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.