Film
fromThe New Yorker
1 week agoThe Year of the Broken Mirror
Contemporary films and art reflect America’s crises, blur fact and fiction amid A.I. and political revisionism, and urge activism over passive reflection.
Consisting of titles and descriptions of works from antiquity to today that depict the Black female form, Robin Coste Lewis's poem Voyage of the Sable Venus (2015) is, in its rolling invocations of unnamed slave girls and shards of looted statuary, both exhibition catalogue and litany of instrumentalisation. A reading of the poem, in a sanitised and objective voice, serves as the soundtrack to a walk through the Musée du Louvre in the French director Alice Diop's short film Fragments for Venus (2025),