#colonnade-row

#colonnade-row

Video mapping technology and 4K laser projection brings the altar's original vivid polychrome back to life, accompanied by narration, music and sound effects.

"[The project] has finally restored the perception of the monument's original size and floor level," architect Stefano Boeri said in a statement. "It also offers the public the opportunity to approach its walls and imagine the rhythm and sequence of the ambulatories and arches, now lost. It's a respectful and useful project that completes research carried out by the archaeologists of the Colosseum Archaeological Park."

Only in Rome can you take your morning espresso with a view of one of the Seven Wonders of the World. There's something kind of glamorous-tongue-in-cheek, even-about casually waking up in a cozy Airbnb and opening your eyes to a site where hundreds of thousands of brave gladiators engaged in combat for over 350 years.

The intervention 'restored the perception of the monument's original scale and pavement level,' while enabling visitors to approach the structure more directly and understand the sequence of the ambulatory and its arches. This recalibration of levels, based on archaeological findings and geometric studies, also enabled the reorganization of the stormwater drainage system, integrating surface slopes and transitions into the paving design while maintaining coherence with the monument's historical configuration.

The project examines the integration of digital fabrication processes into reinforced concrete construction, highlighting that while materials such as steel and timber have undergone significant transformation through digital production methods, reinforced concrete has largely retained conventional casting techniques. The proposal aims to address this condition by incorporating digitally fabricated components into the construction system.

One tenet of classical idealism is the idea that Roman and Greek statuary embodied an ideal of pure whiteness-a misconception modern sculptors perpetuated for hundreds of years by making busts and statues in polished white marble. But the truth is that both Greek statues and their Roman counterparts were originally brightly painted in riotous color.

Set on the edge of the Mediterranean and shaped by centuries of continuous occupation, Naples is a city where architecture is inseparable from time. Layers of Greek foundations, Roman infrastructures, medieval churches, Baroque palaces, and Modern interventions coexist within a dense and compact urban fabric. Naples reveals itself as an accumulation of structures, adaptations, and reuse, where buildings are rarely isolated objects and more often part of a larger spatial, social, and historical system.

The Noon Repose Pavilion is located on the bank of a rural river in Huizhou, a city in southern China, along the scenic route encircling Nankun Mountain and Luofu Mountain. Huizhou was once a place of exile for the Northern Song scholar Su Shi. During his years there, exile did not result in withdrawal from life, but rather intensified his attention to its everyday rhythms.

Seven were the strings of the lyre (unless there happened to be eight or nine), seven were the gates of Thebes, and seven were the "wandering stars" in the night sky (if you count the sun and moon). The identity of the wonders was less important than the length of their list, and indeed, additions and changes were proposed since the beginning.

Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.

The Neptune of Lyon, one of the largest and most important bronze statues from Roman Gaul, has arrived in Rome for a one-time guest starring appearance at the Giovanni Barracco Museum of Ancient Sculpture. The statue is in the permanent collection of the Lugdunum Musee et Theatres Romains in Lyon, and is being loaned to the sculpture museum as part of an extraordinary exchange of ancient works between the two cities.

What makes this canopy special isn't just that it uses 3D printing technology, though that's certainly impressive. It's the way the designers thought about the entire system. Rather than simply throwing a roof over the tombs and calling it a day, they created what's essentially a climate-control system disguised as architecture. The canopy features a double-layer envelope that does way more than keep rain off ancient stone. Built into this roof are ventilation and air extraction components that actively regulate temperature and humidity.

The remains of a monumental hall belonging to a 4th-century episcopal palace have been discovered at Ostia Antica, Rome's ancient port town. The base of the structure is eight by 20 meters (ca. 26 by 65 feet) and the walls were an estimated eight meters high. This is an extraordinarily large space, and it was richly decorated with mosaic floors and marble panels.

In the valley of Pantalica, Italy, where more than 4,000 rock-cut tombs line the cliffs above the Anapo River, architect Leopold Banchini introduces Asympta, a temporary micro-architecture that shifts attention away from the necropolis and toward the unknown architecture of the living. Installed in Ortigia in 2025 and traveling to Pantalica in 2026 for the COSMO festival, the structure reflects on the prehistoric civilization embedded within the Syracusa-Pantalica UNESCO World Heritage landscape, proposing a speculative shelter rooted in place rather than in archaeological reconstruction.

Ba-rro: "Our starting point is always the context and what already exists." We are interested in recognizing the value of things simply because they are there, without assuming that everything must be preserved as a matter of principle. The question isn't what can be kept, but what deserves to be kept in each specific project. The decision to preserve, reveal, or remove doesn't stem from universal values or a nostalgic impulse, but from a situated interpretation:

Leisure spaces are often where different generations cross paths. Without formal programs or assigned roles, they allow people to move, pause, and remain together, each engaging space in their own way. In a built environment increasingly shaped by specialization and separation, these shared spatial grounds have become less common, giving leisure-oriented architecture a renewed relevance. Discussions around public space have repeatedly pointed to the value of openness and flexibility in supporting collective life.

Berdenesh Hills by NOA in Saranda, Albania, is a residential and hospitality development set along the southern Mediterranean coastline, where hillside terrain and sea views guide the project's architectural logic. The project occupies a sloping site within a quieter rural landscape outside Saranda. Approaching the area, the road traces low hills marked by scrub vegetation and exposed stone, with the sea appearing intermittently before opening fully toward the horizon.

A new summerhouse by Biris-Tsiraki Architects rises above a rocky cape on Antiparos, facing the open Aegean and the island of Despotiko across the water. Set into a steep slope and exposed to northern winds, the house addresses sea, sky, and terrain with a measured architectural language shaped by orientation and movement. From the approach, the building reads as a composition aligned to horizon and topography.