In Emilio Pena Delgado's home, several photos hang on the wall. One shows him standing in front of a statue with his wife and oldest son in the centre of San Jose and smiling. In another, his two sons sit in front of caricatures from the film Cars. For him, the photos capture moments of joy that feel distant when he returns home to La Carpio, a neighbourhood on the outskirts of Costa Rica's capital.
In 2009, Swiss photographers Mathias Braschler and Monika Fischer set out to document the people suffering the first shocks of the climate crisis. They had just returned from China, where rapid, unregulated development has ravaged the natural landscapes. Back home, though, the debate still felt strangely theoretical. In 2009, you still had people who denied climate change, Braschler recalls. People said, This is media hype.'