#class-consciousness
#class-consciousness

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How to Make a Killing review one man on a bloody quest for his inheritance is a remake too far

A remake of the 1949 British classic Kind Hearts and Coronets transplants the story to present-day America with Glen Powell, but loses the original's crucial class-consciousness element and features weaker performances from its ensemble cast.

fromFilmmaker Magazine

5 months ago

Interview: Harris Dickinson on Urchin

Harris Dickinson's characters are demarcated by specific class consciousnesses: Coney Island's Frankie in Beach Rats, who cruises for older men on a webcam site; a particular brand of selfishness and vulnerability as a model and influencer in Triangle of Sadness; most recently, a supremely confident intern who casts a domineering spell over a tech CEO in Babygirl. Urchin, the film Dickinson chose as his feature directorial debut vehicle (he's directed shorts before, as early as 2013), stars Frank Dillane ( Fear the Walking Dead)

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#class-consciousness#class-consciousness

How to Make a Killing review one man on a bloody quest for his inheritance is a remake too far

Interview: Harris Dickinson on Urchin

#class-consciousness
#class-consciousness