The exhibition traces both this historical development and the ways in which designers have repeatedly reinterpreted these tools. Some pieces prioritise function; others verge on the sculptural, testing how far the familiar forms of knife, fork and spoon can be pushed before usability is compromised.
Endo Kazutoshi was on the train to Paris when he heard about the fire that had destroyed his restaurant, Endo at the Rotunda, located on the eighth floor of the Helios building. The fire had started on a terrace and quickly spread, affecting the dining room and kitchen, built mostly from 200-year-old hinoki wood.
When churning out cover after cover at the saute station you can't exactly be picky about what's on the shelf above the stove. But that doesn't mean professional chefs don't have opinions about the pans they use every day during service.
Sometimes the best designs come from asking a simple question nobody bothered to ask before. For designer Kathleen Reilly, that question was: why does a knife always have to lie flat on the table? The answer came in the form of Oku, a table knife that literally hangs around the edges of your plates and boards thanks to a unique folded handle that defies centuries of Western tableware convention.
One thumb movement sends the blade straight out the front in a single linear motion, and it locks automatically. There's no arc, no fiddle factor, and no grip position the hand needs to be in before deployment works.
Most knife recommendations come with a quiet asterisk. A brand deal, a commission link, a product sent to a chef's PO box before the review goes live. What gets left out of that conversation is what the same chef keeps in the drawer at home - the blade they reach for on a Sunday morning when nobody is filming.
Cheesy comparisons aside, the reason chefs are responsible for their own knives boils down to subjective preferences and comfort. "I want the knife to be an extension of my arm and my hand," says Fredrik Berselius, executive chef at Aska. Since there are far too many variables that go into a knife's design-handle shape, blade shape, weight, balance, material, and so on- determining which knife is the best knife is fundamentally impossible.
If you've ever mixed something vigorously in a large bowl during a cooking project, you have probably experienced the universal frustration of a tilting, wobbly bowl. Maybe you're whipping cream by hand, whisking a vinaigrette, or even just beating eggs for a casual, but perfect, omelette, and notice the bowl starts migrating across the counter. There are some low-tech workarounds, like a damp towel or a silicone mat slipped underneath the bowl. Neither works terribly well, especially with super-slippery granite countertops.
Not only does a mortar and pestle amp up your spices, releasing oils and concentrating flavor by crushing them against the stone bowl, but the iconic chef also notes its versatility. "These ancient kitchen tools are perfect for everything from pestos to dressings," he says. Other aspects he likes are the total control they allow for - as opposed to what you get with electric food processors or grinders, the textures that you can achieve and control by hand, and even just their appealing look.
Whether donning an apron at home or in a Michelin-starred restaurant, pretty much everyone agrees on the merits of cooking with cast-iron pans. They've been around for generations, passed down like an heirloom and fired up for all kinds of meals, from everyday comfort food to special company-is-coming fare. But there's one thing that needs to be acknowledged: it's not ideal for everything - specifically, cooking eggs.
Some chefs pride themselves on blurring the lines between food and art. For Executive Chef Andrew Oh, Momoya SoHo has become revered for putting beauty on plates, such is the case for the restaurant's beautiful wine glass parfaits. However, Oh is known for sushi creations that are equally impressive. We asked the chef for tips on sushi-making (known as one of the most difficult culinary techniques to master) so that our next batch of caterpillar rolls look more professional than problematic.