Helen DeWitt's refusal of the Windham-Campbell prize highlights the tension between artistic integrity and the demands of self-promotion in the literary world.
The request is made in her signature Aussie drawl, something that musicians attempting to break into the international market would attempt to disguise in decades previous. Yet for the Amyl and the Sniffers frontwoman, everything from her peroxide mullet to proudly bogan background has become an important hallmark.
Give your tormentors so much sweetness that they develop diabetes. To a girl in her early teens, that sounded like nonsense. I was the centre of the universe. Surely, no one had ever been as badly treated as I was! And here my father was, telling me to be nice to them? I would ask: Is this some turn-the-other-cheek rubbish? My father has quite a distinctive cackle, and I heard it in those moments.
As we have seen, defending the right of people to speak, even when we deeply disagree with them, is very, very difficult. Many people perhaps most can't manage it. It can feel like a betrayal of self, a betrayal of values, and certainly a betrayal of one's community or cause. Nor is it sensible to expect it of everyone. But we must demand it of the custodians of our culture. This is the way forward.
Research has linked reading for pleasure in childhood to a host of positive educational and socioeconomic outcomes. But now 14 years after the Department for Education, in a more innocent time, commissioned a chunky report on the matter—reading books for pleasure is an activity in crisis. The culprit usually blamed for this falling-off is the smartphone and its many short-term distractions; the mere presence of a smartphone in the room, recent research suggests, has an impact on our ability to concentrate.
You are leaving work, your suit still damp from the morning's downpour, the skin on your palms peeling. You are clutching two supermarket bags, tins of cream soup and tuna knocking against one another. The rain is hard and your anorak is cheap. You are on your way to Stockbridge, to your parents' house, which only your father inhabits now that your mother is gone.
Many editors languish in the margins of history, their contributions largely invisible despite how much they shape whom and how we read. But in recent years, amid a wave of books unearthing overlooked figures, biographers have turned their sights to pioneering book and magazine editors-including Malcolm Cowley of Viking, Judith Jones of Knopf, Bennett Cerf of Random House, and Katharine S. White of The New Yorker -anointing them as the unsung architects of the American literary canon.
For those unfamiliar with the beloved heroine, Samantha is one of the first three historical characters introduced by American Girl in 1986. Samantha, Swedish immigrant Kirsten and WWII homefront heroine Molly demonstrated courage, compassion and resilience. Along with an 18-inch doll, each 9-year-old character was featured in a series of easy chapter books; kids could follow each fictional story as well as the historical context surrounding it.
Out of the many hundreds of titles that our organization carefully considered this year, these singular and striking finalists rose to the top, NBCC President Adam Dalva said in a statement Tuesday. They interrogate the lives we lead, broaden our creative and social horizons, move us, and continually surprise us. Especially in this difficult time, every one of these writers and translators deserves to be celebrated - and to be widely read.
Charles Dickens's novels are often criticised for their idealised passive female characters, but as the Dickens Museum now shows, he was, in life and in death, surrounded by formidable, intelligent and independent women. A new exhibition at the museum shifts attention away from Dickens as a solitary genius and instead places women at the centre of his creative world and cultural afterlife.
