#ceramics

#ceramics

"I think mostly I am invigorated by its ability to hold-to hold water, to hold function, to give shape, to carry stories, and to carry meaning."

Otagiri Mercantile Company was responsible for importing and distributing hand-painted ceramics, crafted by professional artists in Japan from about 1954 until 1994.

Elise Eeraerts and Roberto Aparicio Ronda's Folly (Vase) in Brussels transforms storytelling into a tangible object using 3D printed ceramics, embodying local narratives.

In the realm of latent dreams, the Insoil ceramics brand symbolizes a visualization of invisible consciousnesses, reflecting both brand identity and the artists' desires for a good life.

The Corcelain series features ceramic cups and vessels with mountable 3D printed feet and screws, allowing for customization while ensuring hygiene and functionality.

The name Sandbox Ceramics reflects practical moments in Petra’s career, symbolizing her creative journey and the playful nature of her art.

"The Loewe Foundation Craft Prize has given a platform to global makers who both preserve and rethink craft's place in an increasingly mass-manufactured world."

The collaboration effectively merges advanced technological functionalities with traditional craftsmanship, allowing spaces to maintain their elegance while transforming into interactive environments.

I firmly believe that collaboration is key for small brands to grow and reach a global audience. By working with like-minded creatives, we can offer our customers exciting, beautiful home products.

In a world brimming with cookie-cutter ceramics and all-too-familiar furniture, standing out often takes a splash of bold color, a twist of creativity, and a generous helping of quirk.