Independent films
fromwww.theguardian.com
1 day agoScreenmaxxing: why Hollywood is supersizing the big screen experience
Disney introduced InfinityVision, a certification for premium large-format auditoriums to enhance movie viewing experiences.
Wendy Ross suggested a scene in which the doctor communicated with a patient who was autistic more effectively than another non-autistic doctor had. She emphasized that the portrayal of autism should be subtle, especially for female characters, as many women may not even realize they are autistic.
Publicly traded companies are by legal definition and requirement completely amoral. They want only one thing, to raise their stock price, and the public good and common decency are just obstacles to be overcome or spun in that quest.
"Collective bargaining has been the fastest and most effective way for the regulation of AI technology," SAG-AFTRA Executive Director Duncan Crabtree-Ireland stated, emphasizing the union's role in shaping AI usage in Hollywood.
In the history of cinema, there has never been a single script. It is a pervasive myth that film-making requires screenplays; in fact, most scenes are made up on the spot.
Albert Cheng, who heads the AI Studios initiative, emphasized that the goal is to support creative teams, not to replace them. The focus is on improving efficiency and reducing costs while ensuring that intellectual property is protected and AI-generated content isn't absorbed into other AI models. One example used is Amazon's "House of David" series, which featured 350 AI-generated shots in season two.
On YouTube, The Rest is History podcast draws roughly around 500,000 viewers, who stick around for an average of about 48 minutes. That's close to the length of a traditional hour-long show and even longer than the podcast's strong audio average of around 40 minutes.. For the production team, seeing that level of engagement, especially on TV screens, was a turning point. People weren't just listening along to podcasts. They're settling in to watch now too.
George Lucas should have died. It was 1962; the 17-year-old had just crashed his yellow Autobianchi convertible into a walnut tree, in Modesto, California. The car rolled, bounced and came to rest - it was "beyond mangled, flipped upside down and twisted like a crushed Coke can against the tree". When the teenager woke in hospital two weeks later, his heart having nearly stopped, he had a new philosophy: "Maybe there's a reason I survived this accident that nobody should have survived."
It's nice that you are asking about props, because they're not really acknowledged, says Jode Mann, a TV prop master in Los Angeles. When Mann worked on the children's comedy show Pee-wee's Playhouse in the 1980s, she got a call from its star, Paul Reubens, who said he was nominating her for an Emmy. It was only after Mann told her mother and promised to thank her if she won that Reubens called back to say he couldn't nominate her because there's no category for you.
In fact, I've made a conscious habit of seeking out successful individuals so I can learn from their experiences. But the man often nicknamed the "King of the Hollywood Blockbuster" continues to elude me. And yet, despite never meeting face to face, Spielberg taught me one of the most important lessons of my entire career. It's a lesson I've learned through engaging with his work.
Last week, he opened a $230-million movie and television studio on the edge of the Arts District in downtown Los Angeles nestled alongside the dramatic new Sixth Street Bridge. The state-of-the-art complex has five sound stages, offices and other proper movie studio features such as a mill, commissary and base camp. "We just had all the major networks, all the major streaming platforms walk through this facility and they can't believe how nice it is," said Wainright, managing partner of East End Studios.
Starring Brad Pitt as the titular Cliff Booth along with Elizabeth Debicki, Scott Caan, Carla Gugino, and more, the trailer depicts Booth after the events of Once Upon a Time in Hollywood. "So you helped rick subdue those hippie intruders, huh?," he's asked before replying "Something like that." The teaser then shows various scenes and scenarios from the film, but with minimal dialogue; though each time a character cusses or flips someone off, it's bleeped and censored.