After a lot of deep and sincere conversations among us members, all 13 of us have decided to renew our contracts. We will continue to sail on the same ship and row forward together.
R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.
'We had a few songs that we were like, 'These are really good, these are genius, and we are the Spice Girls slash Destiny's Child,' said singer Ayden Mayeri in the documentary, on which she served as director.
The rise of TikTok and YouTube has dramatically changed the lives of content creators by turning social media into a legitimate career path rather than just a hobby. These platforms allow ordinary people to build massive audiences without traditional media connections, often through algorithm-driven exposure.
The announcement doesn't show any of the sets in full, but it does have a brief tease of what looks like a model of Derpy, the demon tiger and pseudo-mascot of the movie, knocking down a potted plant made up of Legos. Fans will know that one of Derpy's quirks is that he knocks down plants like a regular cat, but becomes fixated on trying (and, without thumbs, failing) to set them back up.
Formed in 1998 to celebrate the 25-year anniversary of ABBA winning Eurovision with 'Waterloo', teens Amit Paul, Dhani Lennevald, Marie Serneholt and Sara Lumholdt entered A*Teens as an ABBA tribute group. But after their slew of ABBA covers reached the top 40 around the world - 'Mamma Mia' hit number one in their homeland - the group decided to stick about for a bit, releasing original hit singles.
For today's young people, online content isn't a backdrop to daily life-it is daily life. Streaming platforms, short-form video, and social media don't just entertain; they influence how young people see themselves, their health, and what behaviors are seen as normal or aspirational. Movies, television, and streaming content still have influence, but as the digital ecosystem expands, so does its power to shape choices-for better and for worse.
"The All-American Halftime Show," presented by the right-wing student organization Turning Point USA. Conceived as culture-war counterprogramming for a show by a Puerto Rican mega-star who raps and sings in Spanish, and has been a vocal critic of ICE, the event featured four MAGA-aligned country stars and was headlined by Kid Rock, who made his entrance in jorts and trademark fedora.
On last night's Saturday Night Live, we learned that time stops for nothing-not people and not language. Marcello Hernández, the cast member perhaps most likely to become SNL's next breakout star, dropped by the "Weekend Update" desk to inform the Millennial co-anchor Colin Jost-and, by proxy, many Millennial audience members-of the slang terms favored by Gen Z.
ILLIT's Not Cute Anymore came out a couple of months ago. It's an incredibly impressive pop song. It has this kind of, like, light, lithe, rocksteady vibe to it. I also hear it as a little bit of a pointed rebuke to how a lot of girl groups are framed in K-pop. Innocent. Sweet. And maybe it's a bit of a broadside in the ongoing K-pop war between NewJeans and their parent label, Hybe.
Over the last several years, Netflix has positioned itself as one of the few video streaming services focused on making an impact in the music industry. From the surprise revival of older songs like Bush's "Running Up That Hill" and Metallica's "Master of Puppets" in shows like "Stranger Things," to streaming the most originally produced music documentaries, there's no doubt Netflix's audience is musically in tune.
I remember adults coming up to me and saying, 'Ohhh, Medeiros! Like Glenn Medeiros, the guy who sang that love song!' And then they start singing it in front of me," Lyric tells TODAY.com. "Older women would come up to me and say, 'Oh, he was a heartthrob!'