#blues-tradition-and-resistance

#blues-tradition-and-resistance

Jackson Jr. recognized the full scope and character of his father's mission as the country preacher who brought "a consistent prophetic voice" to struggles for economic and social and racial justice, and peace, over the course of more than six decades in the public eye.

"I am! Somebody!" the crowd chanted in the House of Hope megachurch, repeating Jackson's belief that every person matters, no matter their race or economic standing.

Well, I don't think with blues I could get around it. It was in my house since I can remember, you know. My mother's from Monroe, Louisiana. My dad is from somewhere in Texas. And between the both of them, it was a lot of blues in the house. I had a stepdad, too, who was even more into blues. So I couldn't get away from it. And I loved it from the first time I heard it.

If you know anything about the basic origins of Black History Month then you know that we weren't given' anything. The question of who owns and authorizes Black History Month holds particular relevance now, in its centennial year, and at a time when efforts to celebrate, preserve, and acknowledge Black people's past in this country are under attack.

She remembers walking with her big brothers down a sidewalk fractured by the roots of old oak trees while children played hopscotch on the playground. She remembers going outside and clapping erasers together so that plumes of chalk dust rose above her head. And she remembers being told that she was attending a school that many white parents had taken their children out of just a few years earlier because they didn't want them sitting in class with Negroes.

When Norman Sylvester was 12, long before he garnered the nickname "The Boogie Cat" or shared a stage with B.B. King, he boarded a train in Louisiana and headed west, toward the distant city of Portland, Oregon. He'd lived all his life in the rural South, eating wild muscadine grapes from his family's farm, fishing in the bayou and churning butter at the kitchen table to the tune of his grandmother's gospel singing.

First, they take up It Was Just an Accident, the Cannes Palme d'Or-winning film by Iranian filmmaker Jafar Panahi. Inspired in part by Panahi's own experience being imprisoned for critiquing the Iranian government, his new film-made in secret from the regime- holds back little in its sharp political critique, rage, and... a surprising amount of comedy. Not surprising in its amount of comedy- but maybe in its frequently anti-authoritarian politics-is Mel Brooks: The 99 Year Old Man!

They offered a rare window into the lives, struggles and aspirations of African Americans, and a way for me to feel connected to a community far beyond my immediate environment. Through Ebony, I was introduced to towering figures such as Dr. Martin Luther King Jr. and Supreme Court Justice Thurgood Marshall. Their courage, moral clarity and commitment to justice shaped how I thought leadership and service.

At the turn of the 1960s, when free jazz was making its initial seismic impact, multi-instrumentalist Phil Cohran-he later added the name Kelan-was living in Chicago and playing trumpet for Sun Ra's Arkestra. He contributed to crucial recordings by the band during his tenure, including We Travel the Space Ways, but Cohran was a restless autodidact who never stuck with any one project for long.

He sings the names of the dead haltingly, as though he is reading them off a screen-which, judging from the recording-studio footage in the song's lyric video, he probably is. The song is about the news, but it is also, perhaps unintentionally, about the moment of lag when we absorb the names and images, when we try to assimilate atrocity into narrative.

The architect of the bestselling jazz album of all time, 1959's Kind of Blue, trumpeter Miles Davis is a towering figure in the history of the genre. Possessed of a piercing tone, innate melodic sensibility and a singularly uncompromising approach on the bandstand, Davis spent his five-decade career presiding over numerous stylistic shifts: bebop to cool jazz, modal jazz, electronic fusion, jazz funk and even hip-hop.

Following presidential custom, Trump issued a National Black History Month proclamation on Feb. 3 that maintained "black history is not distinct from American history - rather, the history of Black Americans is an indispensable chapter in our grand American story." Yes, but: Its rhetoric, critics say, stands in tension with the Trump administration's recent actions, raising questions about whether commemoration without context ultimately obscures more than it honors.

Recorded with producer Shawn Everett (Kacey Musgraves, The War on Drugs) at Hollywood, California's famed EastWest Studios' Studio Three, the album sees frontman Jim James delivering stripped down renditions of MMJ favorites and solo tracks, including "I'm Amazed," "State of the Art," and "Here in Spirit." Alongside these are covers of Bob Dylan ("Blowin' in the Wind"), Brian Wilson ("Love and Mercy"), The Velvet Underground ("I Found a Reason"),