#bianca-castro-arabejo

#bianca-castro-arabejo

Abraham Vazquez has this lusty, powerful, aching voice. This song is about loss, and you feel it with every inch of intensity that he's performing.

Cezar Berje's visual approach is a mix of chaos-vibrant colours, symbols, and new age psychedelia. His illustrations often suggest universes within universes, with each part of the image telling its own story through symbols and references.

The Lower East Side institution's OMA-designed, $82 million expansion debuted this week to mixed reviews, reflecting a range of opinions on its new look and functionality.

For the Escarrias-petite sisters of African descent born ten months apart in Cali, Colombia-commercial photography was in their family DNA. Their parents established a studio in their hometown that was overseen by their mother after their father's early demise. The siblings learned the family trade, and when they fled the country's civil war in 1958, they quickly reestablished the studio in Buenos Aires.

There is a scene in "Morgenkreis | Morning Circle" (2025), a 16-mm film by Berlin-based Palestinian artist Basma al-Sharif, that unfolds at the threshold of a daycare center. A young boy clings to his father, his fists locked into the fabric of his coat, his arms wrapped tightly around him. The father gently tries to pry himself free while a daycare worker crouches nearby, attempting to distract the child and coax him inside. It is an ordinary moment, one that anyone who has ever been a child - or cared for one - recognizes instantly, as well as the gut-wrenching feeling it provokes.

Now, he celebrates his first major presentation in Latin America, in congruence with Mexico City Art Week 2026 and ZSONAMACO, showcasing on an ideal stage inside one of the city's most architecturally layered interiors. Titled The Resident, the site-responsive installation, created during a residency at the Diez Company house, transforms the historic showroom into an immersive tableau where more than 50 works negotiate the boundaries between collectible design, contemporary art, and spatial theater.

In a stunning new photobook, La Isla, Argentinian photographer Matu Buiatti invites us into a profound exploration of intimacy, trust, and the human body, framed through the lens of analogue photography. This 18-month project transcends mere image-making; it is a beautifully crafted dialogue about human connection, where the photograph emerges not as a starting point but as the culmination of shared experiences.

Following the tragic death of Koyo Kouoh last May, the details of her final project- In Minor Keys, the international exhibition of the 2026 Venice Biennale-were unveiled this week by the collaborative team that will carry through her vision for the show.

The only thing most people know about epiphytes, if they know about them at all, is that they're rootless. That's not quite true - they develop highly specialized root systems adapted to wherever they land. In Epiphytic Elucidations at Patel Brown Gallery, Calgary-based artist Marigold Santos takes this fact as more than a metaphor. The exhibition uses epiphytes - plants that grow on other plants without harming them - as a framework for the expansive ways diasporas form through material labor.

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.

An exhibition of Wifredo Lam is about as safe a bet as the Museum of Modern Art can place and still plausibly say that it's a bet on expanding the canon. The Cuban artist is one of the most famous painters of the 20th century, featured in almost every single key show about Surrealism. MoMA acquired his famous painting The Jungle in 1946, a few years after he made it.

For ABERTO5, the itinerant exhibition series is set to open next month at Casa Bola, Eduardo Longo's spherical residence in São Paulo, opening the architect's private home to the public as the setting for its fifth edition. From March 7th to May 31st, 2026, ABERTO returns to Brazil after its Paris chapter at Le Corbusier's Maison La Roche (read more here) and shifts its attention to one of the city's most unique dwellings.

For their most ambitious exhibition to date, Rae-Yen Song 宋瑞渊 transforms Tramway's vast exhibition hall into a submerged cosmology shaped by ancestral mythologies, Daoism, collective ritual and multispecies kinship. In this phantasmagoric aqueous environment⁠-the most recent project in Song's ongoing world-building practice⁠-life is understood as cyclical, relational and continuously in flux. Titled '*~TUA~* 大眼 *~MAK~*', the exhibition comprises newly commissioned works in sculpture, textiles, printmaking, sound, light and moving image,