#best-of-all-time-award

#best-of-all-time-award

Jazz drummer, composer and band leader Jack DeJohnette began playing drums in his school band at the age of 14. In 1969, he joined Miles Davis' band and played on the iconic album "Bitches Brew." He played with other jazz legends, including Keith Jarrett and Chet Baker. He won a Grammy Award in 2009 for his album, "Peace Time," and another in 2022 for his album, "Skyline."

That spectacular failure forced me to do something I'd been avoiding: Separate my identity from my work. It was the hardest growth experience of my life, but looking back, it was also the most necessary. This failure taught me infinitely more than my first company ever did when I sold it successfully.

If we're talking cinema (not marketing campaigns or merch drops, however captivating), then Josh Safdie has created a movie that has captured something of the world in 2026. Set as it may be in the 1950s, Marty Supreme could only have been made now. If we want to celebrate art that reflects the world we live in, then this is the one.

A MARTINEZ, HOST: As we finish this year, let's listen to some of the musicians we lost in 2025. Sam Moore was half the R&B powerhouse Sam & Dave. He sang on smashes such as "Hold On, I'm Comin'," "I Thank You" and this one. (SOUNDBITE OF SONG, "SOUL MAN") SAM AND DAVE: (Singing) I'm a soul man. I'm a soul man. MICHEL MARTIN, HOST: We also lost the guitarist on that song, Steve Cropper. He defined the sound of Memphis soul with the Stax Records House Band. He appeared on hits by Otis Redding, Booker T. & The M.G.'s and Wilson Pickett.

Loosely based on the life of table tennis champion Marty Reisman, Josh Safdie's Marty Supreme is set over eight months of mayhem. It's 1952, and 23-year-old Marty is working in a shoe shop in New York. The film begins with a tryst in the stockroom and ends with the birth of a child. For Marty (Chalamet), his job as a salesman is beneath him.

However, when Russell Crowe won for A Beautiful Mind in 2002, it was his speech that got edited out. That was because he decided to recite the Patrick Kavanagh poem Sanctity, and it went on and on. When Crowe realised what had happened, he tracked down the show's director at the afterparty, pinned him against a wall, called him a cunt and then allegedly kicked three chairs across the room.

Getting your Trinity Audio player ready... While it might not be the slam-dunk everyone aimed for, GOAT, a bustling animated venture that's co-produced by the Warriors Stephen Curry (who also voices a giraffe) and hails from the the Unanimous Media company he co-founded, succeeds where it needs to as family entertainment for aspiring athletes. They're the target audience and they'll eat this up.

Even in an era of CGI and AI, nothing is more vivid than the intimacy and imagination of radio or more direct than the connection radio has with listeners. I remember when the legendary Stan Freberg drained Lake Michigan and filled it with hot chocolate, a 700-foot mountain of whipped cream, and a 10-ton maraschino cherry. We didn't have to see it. We heard it on the radio. It was Freberg's demonstration of what radio can do better than television.

"For me the reward has been all of it. Just getting the script done was a type of reward, my crew together was a type of reward, getting everybody to come to New Orleans, getting to share the screenplay, I shared it with Rosemary like I always do, getting good feedback from her. And then showing the movie to audiences, which is the biggest reward I could ask for," Coogler said.

We've all watched a film or series and wanted to step straight into it. So, it's hardly surprising that set jetting'is shaping up to be a top travel trend again for 2026. We've already seen it in recent years with the White Lotus effect-the Four Seasons Maui reported a 425% year-on-year rise in website visits after the first season aired. Set jetting seems to be a particularly big hit with Gen Z and millennial travelers-81% now plan their getaways based on what they've seen

It's nice that you are asking about props, because they're not really acknowledged, says Jode Mann, a TV prop master in Los Angeles. When Mann worked on the children's comedy show Pee-wee's Playhouse in the 1980s, she got a call from its star, Paul Reubens, who said he was nominating her for an Emmy. It was only after Mann told her mother and promised to thank her if she won that Reubens called back to say he couldn't nominate her because there's no category for you.